Summary
The past returns to haunt Chelsea, and battle lines are drawn over the village fete.
Transcript
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| 0:00.0 | On July the 7th, 2005, four bombs changed Britain forever. |
| 0:06.0 | I see him put his hand in the bag and then there was a brilliantly white, bright flash. |
| 0:12.0 | I'm Dominic Hashani. After two decades reporting on terrorism, I'm exploring how 7-7 and the attacks since changed lives, |
| 0:20.0 | tested leaders and reshaped the threat we face. |
| 0:23.3 | It's not that it woke us up to the nature of the threat, but I think it woke us up to the fact |
| 0:27.4 | that obviously what we had in place was not adequate. |
| 0:29.9 | The State of Terror. Listen on BBC Sounds. |
| 0:34.7 | BBC Sounds, music, radio, podcasts. |
| 0:37.8 | You're listening to Tuesday's episode of The Archers from BBC Radio 4. |
| 0:44.0 | Music So how come you're spending your last student pennies on the tea room's fancy hot chocolate? |
| 1:05.6 | Amber asked to meet. |
| 1:07.4 | What George is Amber? |
| 1:08.3 | She wants to talk about wedding venues. |
| 1:11.2 | She ain't marrying you, Brad. |
| 1:12.8 | No, no, I know that. |
| 1:14.2 | Her card machine's ready. |
| 1:16.3 | Oh, by the way, Mia's back from you, Ney, did you know? |
| 1:19.3 | Yes, you're the tenth person to tell me that, except it's nothing to do with me. |
| 1:23.3 | If you say so. |
| 1:25.1 | Anyway, what do you know about wedding venues? I know about Ray Gables and Lerloxley. Well, George can't afford them. Amber's in a good job, don't? No, we're talking thousands, Brad. You should hear my hairdressing clients going on about it. Even the cheap venues are extortionate. That's why you've got to help, Chelsea. |
| 1:45.7 | Oh, no, it's nothing to do with me. |
| 1:46.8 | But you know all that stuff? |
... |
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