Oh yeah, see the go Mm-mm-mm Bum-bub-bomb Bum-bob-bob-bom Bum-Bomb-Bomb-Bomb-Bomb B' you B... B... B...

B...

B...

All right, that's enough of that now.

Oh, and welcome to episode 214 of the regular features podcast.

Zibb-da-bap-do chocolate.

This is the Scat episode.

Scat scat scarries.

That's why I said the word chocolate just then.

Oh, that was really nice. That was really satisfying. It felt good. That was impromptu. There was a couple of bits where it went slightly out of time and I felt nervous. And then it came back. That point when I went out of time, it was my fault. Thank you for not throwing me under the bus there. That's jazz, ladies and gentlemen. That's jazz. If you're going to invoke jazz, you've got to say baby at the end. That's jazz baby. That's jazz baby. That's a jazz baby. This is my jazz baby. This name's John L'O. Black. Excuse me, is this your jazz baby? I found it on the swings. I found, the reeds, some sort of jazz Moses.

I wonder going, Jasmosis.

It's got hundreds of tubes up the side of its face.

It pipes out disgusting whales.

Hey, um,

this is a comedy podcast, but a bunch of people, what's us?

Mates, we are mates.

Do you want to be our mates?

Then keep listening. And pay us. Pay us, your bastard. Let's go straight to that. Wait for the advert of the end of the show before we start asking for money. Actually, that opening leads quite nicely into my first feature, which is that our openings aren't good enough. What? How can you say that?

I wish we hadn't done quite as good an opening because usually it's a tired sort of

oh what joke can we make out of the number?

Should we do it again?

Bum.

...