1428: In Defense of “Candelabra with Heads” by Nicole Sealey
The Slowdown: Poetry & Reflection Daily
American Public Media
4.8 • 1.3K Ratings
🗓️ 6 January 2026
⏱️ 7 minutes
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Summary
Today’s poem is In Defense of “Candelabra with Heads” by Nicole Sealey.
The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “Today’s poem pulls back the curtain on the revision process, showing us how it’s about more than just the text on the page. The poet refers to an earlier poem of theirs, an ekphrastic poem based on a sculpture by Thomas Hirschhorn. His work “Candelabra with Heads” features mannequins bandaged in brown duct tape and hung from a wood frame. This poet revised her poem of the same name to remove the last line, but later went back and reinstated it.”
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Transcript
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| 0:00.0 | I'm Maggie Smith, and this is The Slowdown. |
| 0:19.8 | Revision is my favorite part of the writing process. |
| 0:25.1 | Of course, I love the rush of the new idea, |
| 0:29.0 | the honeymoon period with a poem or an essay, |
| 0:32.3 | when it's still sparkling. |
| 0:35.1 | But I especially enjoy the creative problem-solving that revision entails. |
| 0:43.1 | Coleridge wrote that poetry is the best words in the best order. |
| 0:49.6 | I enjoy the challenge posed by having the not best words in the not best order. |
| 0:57.7 | I find the challenge of revision invigorating. |
| 1:02.7 | It wakes my brain up in exciting ways. |
| 1:07.4 | To revise means literally to see again or to look at again. Revision is when we take another |
| 1:17.1 | look at what we've made and we see it anew. Each revision, ideally, gets us closer to the piece we sense is there, waiting. |
| 1:29.8 | But each revision can also pull us farther away from the initial spark that drove us to the page. |
| 1:39.7 | This tension, this push and pull, is exactly what makes revision dynamic and exciting. We are hunting |
| 1:49.4 | something, but we aren't quite clear about what it looks like or how to find it. I believe in the |
| 1:59.2 | magic of multiple revisions. |
| 2:01.6 | I also believe that we can over-revis. |
| 2:06.6 | We can look so hard for the finished piece |
| 2:10.6 | that we believe waits for us inside the messy draft, |
| 2:15.6 | that we scare it off. |
| 2:19.5 | We can polish it dull. |
| 2:25.0 | Sometimes we need to go back in order to move forward. |
... |
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