You're going to be. You know it's kind of normal for us to do things together, being twins and growing up together so we we kind of split our duties 50-50 and

the writing process is very sort of collaborative and we sort of plan everything together

and then we'll

Michael might go write a scene by himself and I'll write a scene and then we'll

swap each other scenes around and rewrite each other and it's all sort of

organic in that sense and it's kind of the same

with directing we get on set when we talk to the actors when we you know come up

with shots it's all pretty much executing a plan that we've thought about

for a long time.

I think it helps being brothers in the sense of that we've had a shared experience

growing up and that we've been into the same movies. We seem to get along well,

you know, and I think there is a shorthand so we can get through a process a lot quicker than sort of I guess people who aren't that familiar with each other.

I think we're brutally honest with each other so that kind of

shortcuts a lot of a lot of things and we also I think to having two minds it kind of

helps particularly if you if you're doing a take and you're not entirely sure

whether you got it it's great to have that second voice to say well yeah we did

get it let's let's move on. Well, you're right, there is only one photograph for Sarah Winchester.

There's another painting of her, I believe, when she was younger, but yeah, there's not a lot of historical images of Sarah Winchester.

I mean, we tried to find as much information

as we could on her, and I think that we've sort of reconstructed as much historical information into the story as we possibly could.

Yeah, I mean we did a lot of research. We spent quite a lot of time looking through as many photos. of

a lot of time looking through as many photos as we could of the area of this house.

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