Hey, how's it going? Scott Devine here and hopefully you're having a great day wherever you are in the world right now.

And it's going to get a little bit better because in this video, we've actually gone over all of the past interviews that we've done over the last maybe four to five years.

And we've looked for all of the elements within each of the interviews that's focused on base gear. You know the theories about

base gear, what people like, what people don't like, amps, cabs, manufacturers and everything

in between and we've put it all in this video for you. So without further ado, buckle

up and let's talk about base gear. Guys, we are here with the awesome Henrik Linda.

He's been cool enough to come to London and hang out with us.

We are basically going to, or I'm going to draw all the information I can out of him for you guys

so we can get into your brain and figure out how you do your thing on this here.

But before, and I'm not, you know, I'm not like a huge sort of like gearhead or anything, but I just

think we need to tell the guys about the frets. Otherwise, they might be trying to adjust

the screen or something like that, but what's wrong with it? So, what are these called?

They were called true temperament, and, yeah,'s wrong with it? So, what are these called? They were called true temperament.

And it's a different temperament than normal straight thing,

so it's supposed to make chords sound more in tune to the ear.

Because it's actually impossible, isn't it, to have a normal bass or guitar perfectly in tune?

Is that right? I don't want to spread lies.

Yeah, but I think it's impossible with everything.

Like if you do like the experiment in, there are certain plugs where you can like

turn like a major chord perfectly, and then you hear like to the normal piano voicing

it will sound like kind of off.

Oh too, yeah, yeah.

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