I'm pulling my driveway.

We all know what that means.

It's time rather drive to work.

Okay, so today, I did a series of podcasts where I talked about the psychographics,

Timmy, Tammy, Jenny, and Spike.

And then I decided to do a two-part podcast on the aesthetic profiles,

Vorthos and Mel.

Well, I did one on Vorthos already, so it's time to talk Mel.

So, as I explained in my Vorthos podcast, the idea of us, the psychographics are about psychologically,

why do you want to play? What do you get out of it? The aesthetic profiles are, what is it about the game that you

appreciate? And early on, I used to think that Vorthos and Mel were opposites, but they're not.

It's possible that you can appreciate both the creative elements and the mechanical elements,

that those don't contradict one another. Often, people care about one more than the other.

That makes sense.

But, so real quickly, something I didn't explain in the Vorthos podcast is where Vortos came from.

Where did that name came from?

I did not name Vorthos.

Vortos actually, there's an article by Mac Cavada called Savor the Flavor that was talking about, his article was all about the creative team and all the work they did.

And so he was trying to explain what he did and explain that there are people that really enjoy this.

So he named them. He called them Vorthos. That's where the name Vortos came from.

Mel, I named Mel, in response to

Vorthos, I originally called him Melvin, but in trying to be more gender neutral in the names,

...