Summary
Justin enters a tricky negotiation, and it’s a big day for Alice.
Transcript
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| 0:00.0 | Escape with a good book on BBC Sounds Like Yellowface by Rebecca F. |
| 0:08.0 | I play up our connection. My grief over her death becomes a cornerstone of my origin story. |
| 0:14.8 | Enlightenment by Sarah Perry. |
| 0:16.8 | Thomas examined the image of a stone woman stuck on the verges of the lake. |
| 0:21.2 | I suppose she's in the water now. What is she holding? |
| 0:23.8 | And Giovanni's room by James Baldwin. |
| 0:26.4 | Do you have a mistress? I asked him. |
| 0:28.5 | I don't seem to be very interested in women right now. |
| 0:31.5 | Listen, only on BBC Sounds. |
| 0:36.0 | BBC Sounds Music Radio Podcasts. |
| 0:40.0 | You're listening to Monday's episode of The Archers from BBC Radio 4. I'm guessing she didn't draw up this week's schedule unassisted Justin. |
| 1:07.0 | I did discuss it with Carlotta, yes. Given that Alice is on a phased return, I thought my input might be beneficial. |
| 1:14.0 | But Alice is assigned solely to yard duties. |
| 1:17.1 | Just because we're paying two managers' salaries, Lillian, |
| 1:20.4 | we don't necessarily need them both to be managing do we? |
| 1:24.0 | Oh, morning Alice. |
| 1:26.0 | Morning Justin, Auntie Lillian. |
| 1:28.0 | Oh, it's so wonderful to have you back, darling. |
| 1:30.0 | No, it's wonderful to be back. |
| 1:32.0 | I've just finished off cleaning yesterday's |
| 1:34.0 | tack and I'll give the whole tack room a proper spruce up this afternoon top to bottom. |
| 1:38.0 | Solly good. And I was wondering what you wanted me to do for the countering on event |
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