I'm not pulling in my driveway. We all know what that means. It's time for other drive-to-work at-home edition.

So I like to use my time at home interviewing people. And today is Annie Sardellis. We're going to talk about the vision design of Dusk-Morn House of Horrors.

Dun-d-da-da-da. Okay, Annie. So let's start from the very beginning.

How did you find out, like, you were even doing the set?

What was your first introduction to you?

This was called swimming in, or was our coaching? Oh, yeah.

Yeah, let's see.

Well, it all, I guess the theme came about, like, there's all's all these like genre spaces that we haven't yet

explored yet which is kind of like where you see this lineup of like mkm with mystery o tj with

villain heist and here we have modern horror right uh And I served as sort of like,

I was on the vision team for MKM,

and I served as a strong second on Outlaws,

and that was all sort of just like to ramp up of,

you know, possibly leading the vision design of Duskmore.

And so I learned a lot from work along the way.

So we threw you in the deep end.

So normally the first time you do a premiere set traditionally,

you normally do a return because returns are a little bit easier because we've been there before.

You have some guideline for what we've done.

But this is a brand new world.

We've never been there.

And not just a brand new world, but like we're pushing boundaries on this world, right?

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