4.4 • 848 Ratings
🗓️ 16 June 2025
⏱️ 19 minutes
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106.1 The Reid Property Tape
Coins turn up heads on the Reid property. Mr. Reid wants your skull, but he's not unfair. He'll let you flip for it.
Written by Heinrich von Wolfcastle (https://www.facebook.com/HeinrichvonWolfcastle/)
Narrated by Justin Fife (https://www.threads.net/@justin.fife)
Produced by Karl Hughes (**https://bsky.app/profile/karlhughes.bsky.social)**
With music by Umcorps (https://soundcloud.com/umcorps)
And Thom Robson (https://www.thomrobsonmusic.com/)
And sound effects provided by Freesound.org
The episode illustration was provided by Luke Spooner of Carrion House (https://carrionhouse.com/)
Joshua Boucher is our story programmer, and along with Jasmine Arch and the eyeless ones, Mary Pastrano and Cody Czarzasty, he helps manage our community.
And to Ben Errington the ongoing explosion of content being fired out of his Social Media canon.
**Heinrich von Wolfcastle is an affiliate member of the Horror Writers Association and a member of the Great Lakes Association of Horror Writers. His work has appeared in multiple anthologies and magazines. Most recently, you can hear his story “The Contritionist” presented on the Chilling Tales for Dark Nights podcast and read his story "The Ones in Between" in Blackberry Blood. Though he lives the life of a recluse, he has been known to emerge from the shadows for Trick-or-Treaters on Halloween night.https://www.facebook.com/HeinrichvonWolfcastle/**
Justin Fife is an audiobook narrator and voice actor, and he can be found on Threads @Justin.fife
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0:31.6 | These aren't the stories your mother told you. |
0:36.6 | No, these are the other stories. |
0:41.3 | Today's episode of The Other Stories is the Reid property tapepe, written by Heinrich von Wolfcastle, and narrated by Justin Fife. |
1:02.8 | The audio kicks in with a whirl over a black image. |
1:07.0 | Will you quit playing with yourself and catch up already? |
1:10.1 | Joel asks. His voice is distant and |
1:12.7 | difficult to hear over the wind of berating the microphone. Slow down. Geez, I yell. A line of trees |
1:20.8 | passes over the television screen as the VCR tracking finds its footing. The effect makes me feel |
1:26.7 | like I accidentally felt backwards in time. |
1:29.7 | I'm out of frame, but I'm the one pedaling the bike that's moving the camcorder at a snail's pace. |
1:35.2 | The video camera rests on the front seat. I had it aimed forward to record everything as another |
1:40.4 | set of eyes, but it tipped over as soon as I jumped the curb from the sidewalk onto the |
1:45.2 | street. The image on the television jostles before it's set right again. It ultimately locks on to the |
1:51.1 | tail end of Joel riding his bike ahead of me. You're recording my ass, aren't you? Joel asks from over |
... |
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