I'm pulling up my driveway. We all know what that means. It's time from the drive to work.

Okay, so today I'm going to talk about an effect we call mapping.

And what that means is people ask all the time, okay, you're going to make a new set.

How do you decide what goes in the set? How do you decide what order do you add things to the set?

You know, what is the process of making a set? And so there's a technique called mapping that I want to talk about and explain sort of how we use it and the general philosophy behind it.

So essentially the idea of any set is you want to get a theme, some mechanics, you know,

you want some cycles, you want, you know, you just want to get a variety of different components

that's going to add up together to make a full set.

But one of the big questions is, well, like, you can't add it all at once, right?

The nature of building a set is not, I independently get all the pieces and then I put them all at once.

What happens is I have to figure out sort of, there's an order by which we put a set together, by which we sort of look at, we look at the set.

And we call it mapping because the idea is, let's say I'm making a map of the sets.

I have to sort of like, I have to draw something first.

I have to put something,

something has to go on the map first.

And then depending on what you put on the map,

other things will get built around it.

And that is,

the basic idea is

that we have to sort of think out

what we're doing,

that we have to think out

...