The

The In the justice system, there's three parts, the law and the order.

But after that, there's prisoners.

Or chunk, chunk, chunk.

Or ta-dum? To-dum's the Netflix one, right? To-dum. Yeah, Netflix is more, ta-dum. Can we get a signature frame rate sound? Abe Epperson, co-host of Framerer, where we rate frames. This is Michael Swim asking you, if frame rate had a signature sound effect, make that sound now.

People listening to this just heard the intro song, which is an ethereal non-sequence of notes.

Yeah, that's our ambient.

That's our ambient.

We're not like other girls pick us podcast theme, which I think was very smart.

It just stands out. A lot of people talk about it. Everyone else is trying to be punchy and we're like fuck that but everyone at the

water cooler but i'm saying what if we had a sting if we actually needed something that's under you

know that's a set one second compression it'll be boop boop no i mean this is all good stuff i don't

know why we wouldn't use a hard-hitting sound effect on our movie podcast.

I just wanted to sort of build the improv energy over the first 90 seconds because we're both very tired.

And I could tell.

So also, I wanted the energy to match how excited I am to discuss today's topic,

2013's prisoners by Dini Viennue, the Dune Boy himself.

Villeneuve.

He's arrived.

Yeah, this is his first film after, or is it second film technically, but after incendi's,

this is his big breakout, I would argue.

Incendiase, is that, and does that mean?

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