Summary
Intrigued Tracy takes excited Chelsea to the Stables, where Alice is waiting to show them something. It’s a motorised horsebox: filthy, with stiff handles and a terrible odour. Chelsea deems it perfect for her new mobile hairdressing salon. Stunned, Tracy asks what’s wrong with a car, but Chelsea has a plan: cleaned and painted, with a styling chair and faux flowers across the ceiling, this would make her really stand out from the crowd. The only hitch is that it’s over Chelsea’s budget. She wonders if her mum could help her out with the shortfall. She’s saved a lot from working hard at the Tearoom and the Orangery, and from her hairdressing clients. Tracy flatly refuses – top marks for ambition, but even if she had the money, there’s no way she’d help fund something so ridiculous, especially as Chelsea can afford a decent second-hand car. George updates Emma on Amber’s mum’s distressing reaction to the pregnancy. Seeing the atmosphere Amber grew up in, it’s made George reflect on the Grundy family, and he realises how lucky he’s been. He asks Emma to think back to when he woke up in hospital as it’s hazy – was it George who first suggested Markie’s gang, or Emma or Amber? He’s becoming increasingly doubtful that the accused men are guilty. Later, when helping to babysit Martha at Little Grange, flustered George insists on leaving. He has remembered something important.
Transcript
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| 0:00.0 | BBC Sounds, Music, radio, podcasts. |
| 0:05.0 | How would it feel to have your deepest secrets held to ransom? |
| 0:11.0 | You have different tragedies in your life that you wouldn't write into your own journal. |
| 0:16.0 | This is the story of an unprecedented crime. |
| 0:19.0 | The biggest case in Finnish criminal history. |
| 0:22.4 | Thousands of victims exposed by a huge data hack |
| 0:25.8 | and the hunt to track down a criminal who was thought to be untouchable. |
| 0:30.0 | Makes me sick to my stomach. |
| 0:32.4 | Intrigue, ransom man. |
| 0:34.3 | Listen first on BBC Sounds. |
| 0:36.5 | You're listening to on BBC Sounds. No, Alice, that is great. |
| 1:01.7 | I'm just surprised that's all. |
| 1:03.3 | I kind of lost hope. |
| 1:04.5 | Well, don't get too excited yet. |
| 1:06.7 | You're going to need to have a look first. |
| 1:08.0 | Yeah, of course. |
| 1:08.6 | Yeah, I'll be over straight away. |
| 1:10.2 | Oh, you want to come now? |
| 1:12.1 | If that's all right with you, I can be at the stables, like, really quickly. Uh, well, I was just about to head off. Oh, no, please, Alice, you know how long I've been on the hunt? I'm dying to see what you found. Oh, all right then. Thank you, thank you, thank you. |
| 1:25.9 | Be quick though. I need to rescue Dad from Martha. |
| 1:28.3 | Yeah, got it on my way. Bye, bye, bye, bye, bye, bye. |
| 1:30.5 | Not on my else. Alright then. Thank you, thank you, thank you. Be quick though. I need to rescue Dad from Martha. |
... |
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