Ahh. Oh, Hello and welcome to the episode where we watched Emmanuel for on the worst idea of all time maybe this is like

episode seven I don't know it took it's a while to get this one nailed down it's

important that it's confusing we did not manage to watch all of these films sequentially and I would like to give a huge shout out to someone who enabled this to happen, at least for me, Tim, I think you found a file elsewhere, but we shared a subtitle track thanks to the great Austin Lugar.

Thank you, Austin, and thank you to the great people at opensubtitals.org, a fantastic collection of people that are just doing God's work.

That's right they really top entailed that production with how you can use the

subtitles and where you can find them and and how to support them as well to remove all

ads and mentions of them and you should I gotta tell you didn't they do a good job

no actually do you know what let's flick them some some, we will, I'm going to support them.

As soon as we stop recording, I'm going to go to open subtitles.org, I'm pretty sure I've got the

URL right, and actually I'm doing it right now as I'm talking to you, go.

Bloody good, well I'll set up the context for Emmanuel 4 the most I don't know if open-minded is the right turn of phrase but certainly

experimental of the Emmanuel film so far, including those that have come since the departure of the Tichler

Emmanuel, aka Sylvia Cristoel.

This is her last film as the co-lead in the franchise.

It's, um, it was, it was quite good fun.

I felt at the bottom fell out a little at the end,

but this is a remarkably high concept version of

a manual it is sort of like an inverse eternal sunshine of the spotless Mind, I thought.

Essentially what happens is that the setup,

Emmanuel, is going to some sort of,

what looks like a sort of early 2000's music video by who's the band who sang Stacy's mom

fountains of Wayne yeah that's right can I just interrupt you for one second

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