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随机波动StochasticVolatility

【随机波动026】颜怡颜悦:所有创作都是为弱势者服务的

随机波动StochasticVolatility

随机波动

Society & Culture

4.81.2K Ratings

🗓️ 23 September 2020

⏱️ 75 minutes

🧾️ Download transcript

Summary

视频通话接通的那一刻,颜怡颜悦的脸出现在屏幕左侧的框框里,她们穿着不同的衣服,但还是有点难以分清楚。屏幕右侧的框框里也是两个女孩的脸,分别属于在纽约的大街上很多次被分不清亚洲女孩的美国人认成双胞胎的之琪和适野。

让彼此的猫也互相打过招呼之后,聊天正式开始了。颜怡颜悦的表达方式跟舞台上一样,交替地讲话,不停地接梗,时不时地打断对方,补充或者反对对方的观点。她们的声音比长相还难分辨,密集的输出也让剪辑无处下手——真双胞胎的周围有一层结界,假双胞胎插不进去。

双胞胎不仅是她们独特的人生经验,也赋予了她们看世界的不同视角,“很多人觉得双胞胎从小就被人当猴子一样看,其实在别人看我们的时候,我们也在观察他们”。而这一观察视角之所以不同,是由于她们永远有对方——一个基因一模一样的人——作为自己的对照组。如果这个世界告诉颜怡,女生就是学不好数学,但颜悦数学很好,那一定是世界错了。

在双胞胎和女性这两个身份之外,我们在聊天中认识了更丰富的颜怡颜悦。她们喜欢小众的英式喜剧风格,不想成为大众喜好的最大公约数;她们热爱弗兰岑和波拉尼奥,认为所有的创作都是为弱势者服务的;她们有严重的文字洁癖,一起创作的过程好像一场厮杀。脱口秀不是她们的限制,她们未来想写中国的《伦敦生活》。

【本期主播】

傅适野,媒体人,新浪微博@ssshiye
张之琪,媒体人,新浪微博@CyberZhiqi

【本期嘉宾】

颜怡颜悦,脱口秀演员、编剧,新浪微博@颜怡颜悦

[05:20]颜怡颜悦如何看待杨笠遭遇的网络暴力
[08:02]网络暴力像猫撒尿
[12:40]喜剧创作中的刻板印象
[16:20]好笑和表达观点之间的张力
[20:10]所有的创作都是为弱者服务的
[23:10]我们缺少关于当代生活的创作和表达
[27:30]喜剧行业的北方霸权
[30:10]颜怡颜悦的英式幽默
[32:30]一手经验vs二手经验
[39:03]创作中如何面对自我重复
[42:48]双胞胎一起工作的体验
[47:17]神奇的双胞胎对照组实验
[51:06]双胞胎就是一个小社会
[55:20]男性脱口秀演员的改变
[1:00:03]女性主义崛起过程中的男性群体
[1:09:10]Rock的性别意识和作为男性的反思
[1:11:19]颜怡颜悦的小说创作

【本期节目使用的音乐】

片头:“The King’s Evil” by Jobi Talbot,From The League of Gentlemen’s Apocalypse.
片尾:“This Feeling” by Alabama Shakes,from Sound & Color.

【关于随机波动】

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Transcript

Click on a timestamp to play from that location

0:00.0

The I'm going to see this one the only body,

0:13.0

and she's too be a song,

0:15.0

and we'll have to

0:16.0

to have to be more

0:18.0

to the and more of the I will be like to learn from the new show us, I'll tell you to see

0:24.4

you know he the one

0:25.8

do you my own

0:28.0

will be the one's in the future the e-d

0:30.0

so I don't have to be in the future

0:32.0

in the future of it's just in the world So I'm going to try and I'll tell you're going to

0:32.8

I'll just on the next on the day.

0:35.0

I'll just be here. I'm going to see the

0:45.0

I'm going to see the I'm going to be here

0:48.0

and I'll tell you, I'll tell you,

0:50.0

I'll show you'll see the world,

0:51.0

you'll see the world, too soon as well. I will be a child, be a child of a food to

0:54.0

and go to the

0:55.0

and to see now

0:57.0

and to hear him

0:58.0

and he'll be a child of food.

1:00.0

Now, I will be a little bit

1:01.0

she will be sure. I'm going to go to show. I'm going to be I have been here been here been born to

...

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