From KCRW Santa Monica and KCRW.com, it's The Treatment.

It's The Treatment.

I'm Elvis Mitchell.

What's fascinating about the new film, Blink Twice, is it still gives us something of a free song to see a woman of color in a horror movie.

It sets up a very interesting tension because so often figures such as that don't survive till the end.

The co-writer and director of the film and actor, Zoe Craven says to talk about.

First of all, thank you so much for being here.

Thank you for having me. First of all, at the very beginning of the movie, I'm kind of reminded

of all Alan Parker movies who were really aware of the kind of the squalor or the circumstances,

like the floor and the ceiling. I think about stuff like Pink Floyd's the Wall or we're just

really aware of how real the

circumstances.

And I guess I wonder about the movies you watch to get ready to make this.

First of all, I love Alan Parker.

So that is such an incredible compliment.

I've grown up watching his films.

Yeah, your mom was in one of his films.

Yeah, she was in Braveheart.

I mean, sorry, Angel Heart.

But I grew up loving Bugsie Malone.

That was one of my favorite films.

And just one of the most tonally interesting films I've ever seen, actually.

...