Zombies
Overthink
Ellie Anderson, Ph.D. and David Peña-Guzmán, Ph.D.
4.7 • 549 Ratings
🗓️ 12 March 2024
⏱️ 63 minutes
🧾️ Download transcript
Summary
Who’s afraid of zombification? Apparently not analytic philosophers. In episode 99 of Overthink, Ellie and David talk all about zombies and their unfortunate legacy in the thought experiments of academic philosophy. Their portrait as brain-eating and consciousness-lacking mobs is a far cry from their origins in the syncretic sorcery at the margins of Haitian Voodoo. This distance means that the uncanny zombie raises provocative questions about the problematic ways philosophy integrates and appropriates nonwestern culture into its canon. Your hosts probe beyond limits of the tradition when they explore zombification in animals, in reading, in Derrida, and beyond.
Check out the episode's extended cut here!
Works Discussed
Ellie Anderson, “Derrida and the Zombie”
David J. Chalmers, The Conscious Mind
Wade Davis, The Serpent and the Rainbow
Descartes, Meditations
Leslie Desmangles, The Faces of the Gods
Daniel C. Dennett, "The Unimagined Preposterousness of Zombies" & Consciousness Explained
Zora Neale Hurston, Tell my Horse
Edgar Allan Poe, “The Facts in the Case of M. Valdemar”
Justin Smith-Ruiu, “The World as a Game”
The Last of Us (2023)
Night of the Living Dead (1968)
Get Out (2017)
Overthink, Continental Philosophy: What is it, and why is it a thing?
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Transcript
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| 0:00.0 | Hello and welcome to Overthink. |
| 0:15.5 | The podcast where two philosophy professors sometimes tie our own weird professional debates to pop culture and history. |
| 0:22.1 | I'm David Pena Guzman. And I'm Ellie Anderson. David, the HBO show The Last of Us, got super |
| 0:29.9 | popular when its first season came out pretty recently, I think last year. And this show has, I think, |
| 0:37.1 | kind of reinvigorated the discourse around zombies. |
| 0:40.2 | Granted, zombies kind of never really go away in pop culture since 1968 when Night of the |
| 0:45.9 | Living Dead came out. We'll talk a little bit more about that later. But this show, which in fact |
| 0:50.8 | has a girl named Ellie as its protagonist, I swear to God, all the young people these days are named Ellie. It was like a somewhat unusual name when I was growing up and now everybody in Gen Z and Gen Alpha has my name. And I'm just like this weird older person with the trendy kids name. I do not know what the trends are for naming. So I'll just take her word for that. The Ellie's are coming for you. |
| 1:11.2 | Like zombies. |
| 1:12.8 | Exactly. |
| 1:13.4 | Oh, my God. |
| 1:13.9 | I was going there. |
| 1:14.7 | I was going to make that joke, too. |
| 1:15.8 | Nice one. |
| 1:16.6 | I swear to God, we're just like one mind meld at this point. |
| 1:20.3 | But yes, the last of us, what I think is interesting about this show, which is based on a |
| 1:24.0 | video game, is that it's actually trying to give a background account for the |
| 1:28.2 | possibility that zombies might actually emerge in the real world. So of course it's fictional, |
| 1:32.9 | but the idea is that there is some sort of fungus that mutates and starts turning humans into |
| 1:39.4 | zombies. And there's this pandemic that leads to the zomification of millions of people. |
| 1:45.3 | So I think this feels very timely in the wake of COVID. |
| 1:48.3 | And so the show, although it's a fictional thought experiment, differs from other zombie films and TV shows in trying to give an actual scientific account of how this could happen, which I think makes it really scary. |
... |
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