For amp-yard music, you're connected to all songs considered by Bob Boylin,

with a conversation with Giles Martin about the Beatles album revolver,

complete with new mixes and discs full of outtakes.

It's hard to imagine or even comprehend the technology used to remix the Beatles album revolver.

When it was originally recorded in 1966, often the drums, guitars, and bass were all on the same

track. Now with truly groundbreaking almost magical technology, they were able to separate

the instruments and create new mixes that are just astounding. It's full of details in the instruments

that have been buried all these years. Here's a bit of And Your Bird Can Sing.

You can't see me, you can't see me, you can't see me, you can't see me.

When your price possessions start to weigh you down, look at my direction, I'll be around, I'll be around.

Joining me from NPR's New York Bureau is Giles Martin, who's been overseeing the remixes of

Sergeant Pepper's Lonely Hearts Club Band, a white album, let it be, Abbey Road, and now revolver.

Giles is the son of the Beatles producer George Martin, and over the past five years with each

new reissue, we've had some of my very favorite and enlightening conversations about the

how's and why's of taking these classic records and updating them. When it came out in the

summer of 1966, it was a record that sounded like no other record that came before it.

So Giles, it's 1966 for the past four years. The Beatles have been in constant motion. What is it?

Six albums? Six albums, I think, yeah. Right. Two films, world tours. And then along comes this

something I didn't, wasn't aware of a third movie proposal and they turned it down and all of a sudden

the Beatles have, have time. They actually have, I think they have the first holiday they've ever had.

And I think it's a time for reflections, you say, and I think that they're already changing the Beatles

morphed and they taken off the suits that single foreheaded monster the Beatles had become,

...