Writing That Evokes All the Feels

The Shit No One Tells You About Writing

Bianca Marais, Carly Watters and CeCe Lyra

How To, Books, Education, Fiction, Arts

4.8 • 733 Ratings

🗓️ 6 June 2024

⏱️ 71 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

In today's Books with Hooks, Bianca, CeCe, and Carly are joined by guest literary agent, Mary C. Moore. They critique a resubmission and a sci-fi query, during which they discuss: the importance of making tropes as fresh and different as possible; how to ensure your pitch isn't too dense, especially in genres that involve world-building; highlighting why you're the right person to tell the story you've written; writing plot points that connect to your major dramatic question; the balancing act of trying to write a cross-over novel; always being mindful of your writing at a line-level; the quality of prose that is required for literary fiction; the need to get inside a character's head to better understand them; avoiding overwhelming the reader with terminology that is specific to the world you've built; making your hook very clear; and expressing why your work is different from similar novels that have come before.

After which, Bianca interviews bestselling author, Annabel Monaghan. They discuss Annabel's latest, Summer Romance, and the unique inspiration behind it; Annabel's work as a columnist and how it contributed to her skills as an author; why she switched from YA to writing women's fiction and rom-coms; society's misguided assumptions about what 'smart' people should write and where the idea stems from; the art of writing in a way that gets into a reader's heart rather than just their head; the story behind Annabel's opening line in her latest novel; the challenge of knowing where to start your novel; writing about grief in a rom-com; and whether Annabel is a plotter or a pantser.

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Annabel can be found at https://annabelmonaghan.com/

She's also on Instagram at https://www.instagram.com/annabelmonaghan

and Twitter at https://twitter.com/AnnabelMonaghan

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Transcript

Click on a timestamp to play from that location

0:00.0	It's a new year and time to get fresh eyes on your work in progress.
0:04.8	Are you looking for beta readers, some of whom might potentially become writing group members
0:09.2	down the line?
0:10.2	Are you wanting to be matched up with those writing in a similar genre and or time
0:15.0	zone so they can critique your work as you critique theirs at the same time?
0:19.5	Your manuscript doesn't have to be complete to sign up
0:22.1	for this 3,000 word evaluation. This matchup will be open to registrations from now until the
0:28.5	2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day.
0:35.4	For more information and to register, go to Bianca Moray.com and go to
0:39.7	the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this
0:45.7	time. The more writers we have signed up, the better the matches will be. Hello from CC.
0:52.6	I'm so excited to announce an all new class called Starting It
0:56.4	Right, which is all about how to begin your story in the best place and in the best way. Now,
1:01.6	this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different
1:06.9	types of beginnings and how to choose the best one for your story, how to frame your
1:11.6	inciting incident in a compelling way, common mistakes writers make when starting a story,
1:17.3	how to balance exposition and mystery, how to make readers connect with your protagonist, and how
1:23.6	to make the reader want to turn to the next chapter and so much more.
1:28.3	And guess what?
1:29.3	For the first time ever, there will be an interactive component to my class.
1:34.3	Everyone who is registered will have the option of sending in the opening scene of their work
1:40.3	for a chance to be critiqued during the webinar.
	...

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