music.

Crank up the music, warm up the sports car, and give yourself over to your most alienating

vocational obsessions because it's time to go man hunting.

That's right. We are continuing with this project.

What's your deal over here?

Yes, I was delighted to hear.

The thing I was most excited was like, what's Rob's intro? What is it?

What have I even missed? And by not being on this one?

Well, the first was sort of our beta launch of of man hunting.

We were considering going down the man hall.

I wrote that in the newsletter and then was like, I feel like that was not actually what they settled on.

But I might just leave it here and see if Rob's notice is the unofficial title.

And it's fitting that last time was the beta launch of the show because to a degree we were talking about a beta launch of a film here.

So we will get to that in a moment.

But yeah, we are continuing with this project and we work through in which we work through the filmography of Michael Mann, one of our most singular directors whose action dramas are beloved objects for me and two of our guests today.

First, we have next-landers, Alex Navara.

Thank you so much for having me back. I am stoked.

We are also joined once again by Dia Latsina.

Right. What's up?

You should never have told me that it's Latsina and not Lassina.

I'm going to have to just strangle you because I'm just going to drive me insane.

Well, you could just start firing back when calling me Zatsnia.

...