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Slate Culture Feed

Working: The Life of Creative Work After Death

Slate Culture Feed

Slate Podcasts

Music, Tv & Film, Arts

4.22K Ratings

🗓️ 27 July 2023

⏱️ 33 minutes

🧾️ Download transcript

Summary

For this week’s episode of Working Overtime, hosts June Thomas and Isaac Butler are joined by Lincoln Michel author of The Body Scout, for a deep dive into the legacy of creative work. Books may last forever, but vast amounts of work within the digital realm end up being ephemeral. It can be easy to worry about how a Tweet may be perceived in the future, but even major authors of their day can be lost to the annals of time. Do you have a question about creative work? Leave a message at (304) 933-9675 or email us at working@slate.com.    Podcast production by Kevin Bendis and Cameron Drews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hey there, working listeners. Before we start the show, I want to let you know about

0:04.0

a story coming up a little later. It's from one of our partners, SAP. Is your business

0:10.2

reaching an exciting turning point? Are you ready to seize the moment for growth? Well,

0:16.4

when you're facing tough decisions, SAP can help you be ready for anything that happens

0:21.0

next. To learn more, head to SAP.com slash BReady. And stick around to hear how the president

0:27.8

of an eSports league sees the moment.

0:36.6

Welcome back to Working Over Time, the Advice Scrappy Do to Working Scooby. I'm Isaac Butler.

0:42.9

And I'm June Thomas. What are we talking about today, Isaac?

0:47.3

I'm not going to lie. Today's topic may be a little weird.

0:51.3

Weird topics in my favorite topics.

0:53.6

Okay, great. Well, you may remember a few weeks ago and working over time because they

0:57.2

know you religiously listened to the show, even the ones you are not on. Karen Han and

1:01.9

I were talking about audience. Who's the intended audience for your work? How much should

1:06.4

you think about that? And one thing we talked about briefly was the audience of the future.

1:12.0

What would people years from now, or maybe even after we're dead, think of our work?

1:16.8

And that got me wondering, actually, what will they think about it? And should we worry

1:22.2

about that? And are we writing for our present time or for posterity? So how does the future

1:28.4

figure in to the creative process?

1:31.0

For me, at least as something that is likely to create a writer's block. I mean, it's bad

1:36.9

enough to just have to meet deadlines without adding anxiety about the needs and tastes of readers

1:43.6

decades down the line. Are you crazy? That is true. But the reason I thought, I want to talk

1:48.8

about this with June is, I know you're a big fan of Oliver Berkman's 4,000 weeks. He was a

...

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