They mean she's out the director and we go like, you know, in this one rocket launch sequence

he wants it to feel like a saving private Ryan or Das Boot.

I kind of like a director who with film references that is like totally not what you think.

It makes me try to think of the box.

Hello and welcome back to working.

I'm your host Karen Han and I am your other host Isaac Butler.

And whose voice were we just listening to?

So we were just listening to the voice of this week's guest Eileen Lee.

She is a prolific, very highly acclaimed and in-demand sound editor.

She's actually even been nominated for the Oscar.

I think twice who worked on Lala Land, first man, free guy, JoJo Rabbit.

I mean, it's a really wide filmography.

She's worked on literally dozens of movies.

That's amazing.

And so what do slate plus listeners have in store for them this week?

So slate plus listeners get a couple bonus tidbits from the interview that we're left on the cutting room floor.

First off, we're talking with Eileen Lee about what sound scapes or kinds of movies she's never worked in

that she's always wanted to try.

And then we talk about how very big advances in sound recording and software technology

have changed her job over the last 20 years.

That sounds so cool.

So listeners, if you want to hear this and you are not a slate plus member,

...