Working: How Artist and Writer Lauren Redniss Creates Visual Nonfiction
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3.9 • 1.1K Ratings
🗓️ 10 April 2022
⏱️ 47 minutes
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| 0:00.0 | We're very used to having words and images integrated. It's just like completely natural, |
| 0:15.7 | right? But somehow in books there's been this like segregation of words and images in adult |
| 0:21.6 | books. And I guess I combined more in some images because I didn't think I should it. |
| 0:30.1 | Welcome back to working. I'm your host, June Thomas. And I'm your other host, Isaac Butler. |
| 0:35.6 | Isaac, how are you? And whose voice did we hear at the top of the show? |
| 0:40.0 | Things are going pretty well right now, Jude. I think my big challenges for whatever reason |
| 0:44.8 | I don't seem to want to sleep past 5.30 in the morning. And so this week I'm trying a new |
| 0:51.2 | thing of not fighting it. And instead I'm just getting up at 5.30 and, you know, walking the |
| 0:57.3 | dog or exercising or whatever, just to see what that is like. And what that is like is by lunch, |
| 1:03.6 | I need an app. But anyway, back to our show. Our guest this week is the writer and artist Lauren |
| 1:14.2 | Redness, who has been a trailblazer in a career of doing what she calls illustrated nonfiction. |
| 1:22.0 | So you just called it illustrated nonfiction. I've read a couple of her earlier books and it's |
| 1:27.4 | clear that they're not graphic novels and they're not comics, but art and illustration and images |
| 1:33.2 | are absolutely central to the way they work. It is a really interesting but kind of Sui generous |
| 1:39.4 | format, right? Yeah, I mean, it's funny as you'll hear in the interview, you know, to her, |
| 1:43.3 | she's just sort of like, well, this always made sense to me. I don't understand what's so weird |
| 1:46.3 | about it. And that's part of why I wanted to talk to her because they aren't comics. It's not what, |
| 1:50.8 | you know, to use some of our previous guests, it's not what Mira Jacob or Josack or Alison Bechtel |
| 1:55.4 | are doing because the images aren't in sequence. The key to comics is that the images exist in |
| 2:01.8 | sequence with one another. It's called sequential art. Her art is not sequential. But the way that I |
| 2:07.9 | think about it is that the pages are highly composed, you know, the text is another graphical |
| 2:14.8 | element along with the image. And so you're thinking about how the text and images interplay with |
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