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Working: How Artist and Writer Lauren Redniss Creates Visual Nonfiction

Slate Daily Feed

Slate

News, Business, Society & Culture

3.91.1K Ratings

🗓️ 10 April 2022

⏱️ 47 minutes

🧾️ Download transcript

Summary

This week, host Isaac Butler talks to artist and writer Lauren Redniss, whose latest piece of visual nonfiction is Oak Flat: A Fight for Sacred Land in the American West. In the interview, Lauren first explains why she uses both art and text together in her work. Then she shares her reporting process for Oak Flat and describes how she landed on the book’s narrative structure. After the interview, Isaac and co-host June Thomas discuss Lauren’s fluid artistic style and the importance of structure in nonfiction. In the exclusive Slate Plus segment, Lauren talks about trying her hand at children’s books. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

We're very used to having words and images integrated. It's just like completely natural,

0:15.7

right? But somehow in books there's been this like segregation of words and images in adult

0:21.6

books. And I guess I combined more in some images because I didn't think I should it.

0:30.1

Welcome back to working. I'm your host, June Thomas. And I'm your other host, Isaac Butler.

0:35.6

Isaac, how are you? And whose voice did we hear at the top of the show?

0:40.0

Things are going pretty well right now, Jude. I think my big challenges for whatever reason

0:44.8

I don't seem to want to sleep past 5.30 in the morning. And so this week I'm trying a new

0:51.2

thing of not fighting it. And instead I'm just getting up at 5.30 and, you know, walking the

0:57.3

dog or exercising or whatever, just to see what that is like. And what that is like is by lunch,

1:03.6

I need an app. But anyway, back to our show. Our guest this week is the writer and artist Lauren

1:14.2

Redness, who has been a trailblazer in a career of doing what she calls illustrated nonfiction.

1:22.0

So you just called it illustrated nonfiction. I've read a couple of her earlier books and it's

1:27.4

clear that they're not graphic novels and they're not comics, but art and illustration and images

1:33.2

are absolutely central to the way they work. It is a really interesting but kind of Sui generous

1:39.4

format, right? Yeah, I mean, it's funny as you'll hear in the interview, you know, to her,

1:43.3

she's just sort of like, well, this always made sense to me. I don't understand what's so weird

1:46.3

about it. And that's part of why I wanted to talk to her because they aren't comics. It's not what,

1:50.8

you know, to use some of our previous guests, it's not what Mira Jacob or Josack or Alison Bechtel

1:55.4

are doing because the images aren't in sequence. The key to comics is that the images exist in

2:01.8

sequence with one another. It's called sequential art. Her art is not sequential. But the way that I

2:07.9

think about it is that the pages are highly composed, you know, the text is another graphical

2:14.8

element along with the image. And so you're thinking about how the text and images interplay with

...

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