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Working: Escape Your Creative Comfort Zone

Slate Daily Feed

Slate

Business, News, Society & Culture

3.91.1K Ratings

🗓️ 16 November 2023

⏱️ 30 minutes

🧾️ Download transcript

Summary

For this week’s episode of Working Overtime, hosts Nate Chinen and Isaac Butler explore the refractive nature of switching mediums. Like a light through a prism, we can sometimes find new creative colors by seeking unfamiliar paths. Nate explains his different approaches to two separate profiles he created on composer Anthony Braxton, one for the page and one for the radio. Then, both hosts share their thoughts on famed artist David Hockney’s recent switch to using the Brushes app on his iPad, to “paint” new pieces.  Do you have a question about creativity? Reach out at (304) 933-9675 or email us at working@slate.com.    Podcast production by Kevin Bendis and Cameron Drews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Welcome to Working Over Time, the ever helpful Last Chance Kitchen to Working's illustrious

0:11.2

Top Chef. I'm your host Nate Chinen. And I'm your other host, Isaac Butler. So Nate, before we pack our knives and go, what are we talking about today?

0:20.0

You know, I think I'd like to call this one the art of refraction.

0:25.0

That sounds a little highfalutin and to be clear I was a terrible physics student,

0:30.0

but I did learn that refraction is what we call the change and direction of a wave as it passes from one medium to another.

0:39.0

So think of a ray of light moving through a prism or a sound wave passing through water.

0:45.9

Well today I'd like to hijack this metaphor for our own purposes and talk about what happens

0:52.3

when you shift from the medium that is your

0:54.7

area of expertise, maybe it's drawing or dancing or basket weaving, whatever it may be, toward a creative

1:02.0

discipline that's just different enough to present you with a learning

1:07.0

curve.

1:08.1

So Isaac, you are a theater director who also works as a cultural historian and an author and a podcaster so I'm

1:16.4

guessing that you're gonna have a few things to say on this matter yeah that's probably true

1:21.8

I do know that you know like when I was in graduate school studying creative writing, focusing

1:26.4

on non-fiction, one thing I realized was that like what I found most helpful was trying to figure out how to make the devices that I saw in other

1:38.0

media than pros work in pros you know like how do you do what Errol Morris does, but in prose, right? How do you do what Joe Sacco, a brilliant non-fiction journalist who published his non-fictionist comics who we've interviewed on this show.

1:54.0

How do you do that in prose?

1:55.0

You know, that whole idea of going to another sort of field

2:00.0

to learn something and then adapt it to the one you're working and is very near and dear to my heart.

2:05.4

But that's a little different than what we're talking about today because there's a translation process in what you're invoking.

2:12.0

Which I love. What I want to discuss is not necessarily

2:16.8

drawing inspiration from another medium entirely, but something that's just maybe

...

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