The first thing you have to do as a musician is not think about music. You have to ask

yourself, who am I? What is my relationship to the society that I live in? How can I be

honest with myself to answer that very basic question?

Welcome back to working. I'm your host, Karen Han. I am your other host, Isaac Butler.

Isaac, welcome back from being interview-wee for a week. Now that you're back in the interviewer's

chair, who did we hear you talking to in this week's Cold Open? You know Karen, it's good to be back.

You're such a terrifying, you know, interviewer. You're so cruel with your questions.

Isaac's canceled now in the wake of our working episodes.

Yeah, exactly. All right. Anyway, this week we're listening to my interviewer, the composer,

band leader, pianist, and record label in Prasario Fabian Almazon. And I was really excited to

talk to Fabian because he is both a band leader and as the head of his own record labels,

really concerned with the environment. And I wanted to talk to him about ways that he embeds

environmentalism into his creative process as a composer and as a record label honcho.

I'm so excited to hear this interview. But first, I believe that you have an extra segment for

slight plus members this week. What will they hear? Yeah, so we will be talking about Almazon's

experience as a long time collaborator with Terrence Blanchard, who is probably most famous for

scoring the films of Spike Lee and Fabian plays with him a lot. And we're also going to talk about

Fabian's own experiences as a film composer and what it's like to translate a music that is so

free like his jazz into a form as rigorous and precise as a film score. That sounds fascinating.

And it is. Fortunately, it is incredibly easy to listen to it by subscribing to

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