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Working: A Theater Director and a Dramaturg on Reviving Black Plays

Slate Daily Feed

Slate

News, Society & Culture, Business

3.91.1K Ratings

🗓️ 8 May 2022

⏱️ 54 minutes

🧾️ Download transcript

Summary

This week, host Isaac Butler talks to theater director Awoye Timpo and dramaturg Arminda Thomas. In the interview, Awoye and Arminda start by defining the roles of director and dramaturg and explaining why they work so well together. They also discuss their group CLASSIX, which aims to revive the work of Black playwrights and to “explode” the classical canon. Then Awoye and Arminda talk about their latest play Wedding Band, written by the mid-twentieth-century playwright Alice Childress.  After the interview, Isaac and co-host June Thomas discuss the pleasures of archival research and the challenges of directing a play that was written during an earlier time period.  In the exclusive Slate Plus segment, Awoye explains what it’s like to direct child actors, especially in a play that contains very adult subject matter.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. -- Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

The story that we're told about the American theater or about theater in general is kind

0:15.3

of trying to create an illusion of truth and I think part of our work is trying to break

0:19.8

through that illusion and kind of allow everybody to kind of see the truth of what was in

0:26.4

a new way. Welcome back to working I'm your host June Thomas and I am your other host

0:34.6

Isaac Butler. Isaac I need to know whose voice we just heard but first it feels like

0:41.2

ages since we were on the show together. I feel like it's been ages since I've done

0:45.5

this show. And I know in part that's because you've been traveling to some book events

0:52.5

and I'm just curious how that's going. I know this isn't your first book exactly but

0:57.7

your first book was an oral history of angels in America and you wrote it with a co-writer

1:03.2

or pal Dan Coise. So I'm curious how this book is different. Yeah it's really different.

1:10.3

For one thing there's COVID so I'm actually doing more book events than we did for the

1:15.4

world and they spent forward but very few of them are in person and I say yes to anything

1:20.7

that comes over the trance. If someone wants to talk to me about the book I'll do it you

1:24.4

know like I just want to get the word out. I enjoy talking to people about it. It's been

1:29.0

a lot of fun. So I've been doing a lot of events but most of them are over zoom except

1:33.7

for this little West Coast tour I just did to Portland and LA. But the other thing is that

1:38.6

when we did the in person events for the world only spins forward they were these like

1:42.8

really raucous book events much more raucous than normal because what we would do is you

1:48.3

know it was an oral history so we'd get a group of people together local actors and writers

1:53.3

and people we knew and we would force them to do staged readings of a chapter of the book but

2:00.8

they wouldn't be given the script until right before they walked out on stage that was the joke.

2:06.0

And so it just had this really great energy but you can't recreate that in a regular old book

...

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