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Sticky Notes: The Classical Music Podcast

William Grant Still Symphony No. 1, "Afro-American"

Sticky Notes: The Classical Music Podcast

Joshua Weilerstein

Arts, Performing Arts, Music

4.92.5K Ratings

🗓️ 3 October 2024

⏱️ 67 minutes

🧾️ Download transcript

Summary

Fundraiser link here: https://www.eventbrite.com/e/1026719635067?aff=oddtdtcreator

On October 29th, 1931, The Rochester Philharmonic in New York State presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still's First Symphony, subtitled  "Afro American," was the first time a symphony written by a Black American composer was performed by a leading orchestra. William Grant Still was a man of many firsts, whether he was the first Black American conductor to conduct a major orchestra, the first to have an opera performed by a major company, the first Black American to conduct an orchestra in the South of the United States, and much more. Today we're going to focus in on Grant Still's first symphony, a symphony that Grant Still had long thought about, conceptualized, and dreamed of. It was also a symphony wrapped up in the roiling currents of Black America at the time, with the Harlem Renaissance in full swing and Alain Locke's tract The New Negro sparking discussion and debate all over the country. It was a symphony that attempted to do something no one had ever done before; that is, to marry together the genre of the Blues with that of symphonic music. Until 1950, it was THE most performed symphony written by an American composer. But until 10 or 15 years ago, it had all but disappeared from the stage, but due to the explosion of interest in Black American composers of the past and present, this brilliant symphony is making its way back onto stages all over the world. The way that Grant Still constructed this meeting of two genres of music was ingenious and innovative from start to finish, and so today on the show we'll explore all of the historical context of the symphony, what Grant Still was trying to do with his monumental new endeavor, and of course, all of the music itself. I want to thank John McWhorter for his brilliant contributions to this episode, as well as the Aalborg Symphony for embarking on a fantastic recording of the symphony, which you will hear throughout this episode.

 

Transcript

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0:00.0

Hello and welcome to Sticky Notes, the Classical Music Podcast. My name is Joshua

0:16.2

Weilerstein. I'm a conductor, and I'm the music director of the Orchestra Nazina del Lille,

0:20.3

and the chief conductor of the All Borg Symphony.

0:23.2

This podcast is for anyone who loves classical music, works in the field, or is just getting ready to dive in to this amazing world of incredible music.

0:31.4

Before we get started, I want to thank my new Patreon sponsors, Francia, Arten, and Evan, and all of my other Patreon sponsors for making

0:39.6

season 10 possible.

0:41.0

If you'd like to support the show, please head over to patreon.com slash sticking notes podcast.

0:46.0

And if you are a fan of the show, please just take a moment to give us a rating or review on Apple

0:49.9

podcasts.

0:51.0

It is greatly appreciated.

0:54.8

So one more time, I'm going to be promoting my fundraiser episode, live video

1:00.7

fundraiser episode, this Saturday, October 5th at 4 p.m. Eastern Time. This will be a fundraiser

1:07.8

for candidates across the United States who are committed to defending democracy.

1:13.1

We will be talking about Copeland's Appalachian Spring, the quintessential piece of American classical music, in my opinion.

1:20.6

It's going to be a really fun episode, and there are tickets available at the link in the show notes and also on the Facebook sticky notes page.

1:28.0

Oops, the Sticky Notes Facebook page, I should say.

1:31.4

And there's some Sticky Notes merchandise for the very first time.

1:34.8

I've got merchandise available as well if you buy tickets for the show.

1:39.5

Really hope to see you all there.

1:41.2

And in the meantime, we're going to be continuing this American

1:44.1

series with one of the other great pieces of American classical music, William Grant Still's

1:50.8

Afro-American Symphony, featuring contributions from the great linguist and writer John McWhorter.

...

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