4.6 • 639 Ratings
🗓️ 24 December 2014
⏱️ 29 minutes
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Writer/director Will Gluck talks about breathing new life into the beloved comic strip turned musical, Annie.
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0:00.0 | Thanks for listening to The Treatment. |
0:01.5 | So I bet you're curious about what gadget you'll be using next, or maybe you're like me. |
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0:19.6 | From KCRW Santa Monica and KCRW.com, this is the treatment. |
0:32.2 | Welcome to the treatment. I'm Elvis Mitchell, my guest who's a super successful film director, hasn't been here since EZA. |
0:41.0 | He made a big romantic comedy in the interim. |
0:44.3 | I did. |
0:44.9 | Friends with Benefits. |
0:46.1 | He's now back with his new film. What's it called, Will? |
0:48.7 | It's called Annie. |
0:50.1 | Annie. It's complicated. My guest, by way, is Will Glock. |
0:53.3 | First of all, thanks so much |
0:54.2 | of going back. Thanks for having me. I have to say, when I heard that Annie was being done |
0:58.7 | in the post-J-Z era, I figured Daddy Warbucks is going to be some hip hopper, some, it's a perfect |
1:03.5 | name for a rapper. Like, you know, Daddy Warbux and Punjab. You almost expect that to be the names that, you know, Eric B and Raqim used at one point. |
1:12.0 | That's right. |
1:13.3 | But it really is because of, |
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