‘Widow’s Bay’ Episodes 4-5: The Witching Hour
The Prestige TV Podcast
The Ringer
4.2 • 1.8K Ratings
🗓️ 20 May 2026
⏱️ 69 minutes
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| 0:00.0 | Hello, welcome back to the prestigious TV podcast feed. I'm Joyna Robinson. I'm Rob Mahoney. |
| 0:22.3 | We're here. It's Widows Bay Day, Rob. In the hour is upon us. We're here to talk about episodes four and five. We're feeling pretty good about the way we're covering Widows Bay. But if I have any regrets, it's that we didn't get to do an instant episode four reaction podcast. We should have been in here the second the episode ended. With like my little sort of stick figures. I assume you have them at home. I mean, I don't leave home without them, actually. They're in the car right now. Which stuff? Okay, so episode four, beach reads. Episode five, what to expect on your |
| 0:55.2 | trip. That's what we're going to be talking about today. If you, we're not aware, we're covering |
| 1:00.2 | euphoria week to week. We are. Weird energy on a Sunday night. Big time. We come into the studio, |
| 1:05.4 | we watch it live and then we record fairly shortly thereafter. So I would recommend, even if you're |
| 1:09.7 | not watching Euphoria, maybe tune into those podcasts because... We basically have Patricia's party energy. |
| 1:15.8 | Yeah. Just our mouths hanging open in a spooky way. So that's something we're doing. We're also |
| 1:20.8 | doing a couple sort of teen show lookback episodes. So we covered Skins, UK, season one, episode had a great time with it. A lot of people were very excited that we covered it. I was very excited that we're covering it. I would say a small but focal audience. We're like super stoked that we covered Skins season one, series one episode. So are those are people? Small but very passionate about something. We have already recorded our Friday Night Lights episode, which we'll be running next week. Yeah. And then after that, we will be checking in on five and six, six and seven rather, because it's a double drop. Yeah. So if you're a Widows Bayhead and you didn't know this, they're doing a double drop for six and seven. We think, though we're not sure, we think we're going to be doing |
| 2:01.2 | week to week after that. But you folks at home, email us. Let your voices be heard. How can |
| 2:08.8 | email us? Prestige TV at Spotify.com. Leave a comment. Spam those comments. Just keep that |
| 2:14.7 | YouTube episode running in the background of whatever you're doing to keep the views up. Absolutely. We'll keep checking in on Widows Bay. Hit the Instagram likes, share with your friends. We're outsourcing. Yeah. It's not our responsibility anymore. It's your job to keep the views up. No, the views were like higher than we thought they'd be. People are digging the show. Totally out bay i mean how could they not okay so episode four |
| 2:34.6 | beat trees was written by mackenzie door door of fucking wandavision fame let's fucking go the dark |
| 2:41.4 | hold is here i'm thrilled wandavision i love you always and then directed by sam donovan |
| 2:47.5 | severance director among other things and then episode five what to expect on your trip, was written by Colton Dunn, who had a brief role in Parks and Recreation. |
| 2:55.7 | I know him best for playing Garrett on Superstore, a show that I actually, like, really enjoyed. |
| 3:00.1 | And he's a comedy writer as well. |
| 3:01.5 | So he wrote that episode and then directed by Andrew DeYoung, who we've talked about, is I thought a comedy director, you corrected |
| 3:08.9 | me that that is not really the vibe of his work in general. It's complicated. Did episode five |
| 3:14.0 | feel in tonally in line with what you've seen from Android DeYoung, share company, among other |
| 3:19.9 | things that you've seen from him before? I mean, it has the same whiff of like maybe not conspiracy, but broader suspicion as you're tripping out of your mind and you don't know what's going on or who you can trust on all those elements. But honestly, somehow this felt less insidious than the chair company did. So, you know, there are levels to all this stuff. Even when he's staring into sort of like a blackened door, the abyss gazing, our guy, Tom Lottis, gazing into the abyss, hearing like distorted sounds coming from and you're like, this is child's play compared to the chair company. |
| 3:50.2 | I mean, capitalism is a hell of a thing. |
| 3:52.3 | That's true. |
... |
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