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The Political Scene | The New Yorker

Why Is Trump Targeting Venezuela?

The Political Scene | The New Yorker

The New Yorker

Politics, Obama, News, Wnyc, Washington, Barack, President, Lizza, Wickenden

4.23.3K Ratings

🗓️ 3 December 2025

⏱️ 42 minutes

🧾️ Download transcript

Summary

The New Yorker staff writer Jon Lee Anderson joins Tyler Foggatt to talk about the Trump Administration’s military strikes on alleged Venezuelan drug boats in the Caribbean. They discuss the questionable intelligence and rationale behind the operation, the legal concerns raised by Defense Secretary Pete Hegseth’s alleged order to leave no survivors in a September strike, and whether the attacks feels more performative than strategic. They also explore how Trump’s framing of the issue as a drug war intersects with his broader ambitions—from pressuring the Venezuelan President, Nicolás Maduro, to reasserting American dominance in the hemisphere—and how other Latin American countries may respond to further military action in the region.

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Transcript

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0:00.0

Hey, John Lee.

0:07.3

Hi, Tyler. How are you?

0:09.1

I'm good. Thanks so much for being here.

0:10.7

Real pleasure.

0:11.7

So just to start out, you know, you've reported on conflict zones, revolutionary movements,

0:18.5

strong men extensively on Latin America, and a lot on U.S. intervention

0:23.1

across the globe. And so when you look at U.S. policy toward Venezuela today, specifically what

0:28.7

we've been seeing with the Trump administration referring to vessels as narco-terrorist targets

0:34.0

and striking small boats, is this best described as a drug war, a political pressure campaign, or is it just like a

0:43.9

return to old school gunboat diplomacy?

0:47.5

Like what is actually like the operating logic in the White House right now in your

0:51.8

view?

0:52.6

I would choose the latter. Performative gunboat diplomacy. You know, if you take together the sort

0:59.2

of rhetorical vilification campaign by Trump and his coterie towards Venezuelans, first as, you know,

1:08.2

criminal migrants beginning in his campaign this time round, to assigning

1:14.0

roles to Nicolas Maduro, the president of Venezuela, as a cartel chief, putting a,

1:22.8

putting a narco-terrorist label on him and giving him a, you know, $50 million bounty. It's rhetorical. It's

1:29.5

performative. This is black ops at its most baroque. You know, you have a president who tweets

1:34.9

constantly. You have a defense secretary who calls himself the secretary of war. And you see back and

1:40.6

forth statements by Trump about what he might or might not do to the Venezuelans.

1:45.5

So it's all about creating a drama, creating suspense. In that sense, it's great theater.

1:52.5

Here we are all watching and waiting. And the entire world is asking, what's going to happen?

...

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