Why I Fear the Future - Konstantin Kisin

TRIGGERnometry

Konstantin Kisin & Francis Foster

News, Politics, Society & Culture

4.6 • 2.6K Ratings

🗓️ 26 July 2024

⏱️ 5 minutes

🔗️ Recording | iTunes | RSS

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Summary

I never really understood why Jordan Peterson spent so much time focusing on the duality of order and chaos. I do now. Konstantin's Substack - https://substack.com/home/post/p-144883262 Konstantin's Twitter - https://x.com/KonstantinKisin Join our exclusive TRIGGERnometry community on Locals! https://triggernometry.locals.com/ OR Support TRIGGERnometry Here: Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Buy Merch Here: https://www.triggerpod.co.uk/shop/ Advertise on TRIGGERnometry: [email protected] Join the Mailing List: https://www.triggerpod.co.uk/#mailinglist Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:24.2	ek slash special offer in New York Frances and I were invited to see a musical
0:29.7	about the artist Tamara de Limpica
0:32.0	Limpica the wife of a Polish noble, flees the Russian Revolution and ends up in Paris.
0:37.0	With her husband struggling to adjust to his loss of status and wealth, the family lives in poverty until
0:42.3	Lempica is discovered as an artist.
0:44.6	She gradually finds her feet and eventually thrives in the rapidly changing world of the
0:48.4	1920s.
0:49.8	Convinced that the unimaginable horrors of the past can never be repeated.
0:53.7	Parisians cope with the trauma of World War I by what we would now call living their best lives.
0:59.4	Limpica thrives in this capital of heathenism, maintaining her marriage while also falling in love with a female prostitute who introduces her to the joys of opium.
1:08.0	Celebrated as a female artist who finally gives voice to the power of the feminine through her work, she secures both wealth and popular
1:15.5	acclaim. This entire period is depicted in the musical as a time in which the boring old ways
1:21.0	are abandoned and favour exploring variety variety or as we would now call it diversity
	...

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