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Classic Ghost Stories

Whitewash and The Empty Berth by Rose Macauley

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 31 August 2023

⏱️ 56 minutes

🧾️ Download transcript

Summary

Thank you to Jay Rothermel for suggesting I read these stories. You can read his take on them here:[https://jayrothermel.substack.com/p/two-stories-by-rose-macaulay-1881]Dame Emilie Rose Macaulay, born on August 1, 1881, in Rugby, Warwickshire, England, emerged as a distinctive figure in 20th-century literature. The daughter of George Campbell Macaulay, a classical scholar, and Grace Mary Conybeare, her upbringing was imbued with a scholarly aura that would lay the foundation for her intellectual pursuits. She attended Oxford High School for Girls before studying Modern History at Somerville College, Oxford University.Macaulay's literary journey was marked by a remarkable transformation. From her early struggles with depression, she transitioned into a prolific novelist known for her incisive commentary on society and relationships. This transition is especially fascinating when considered alongside her complex relationships, her private life, and her evolving religious and philosophical beliefs.Macaulay's religious journey was far from linear. Her exploration of faith went beyond the boundaries of traditional Christianity, reflecting a mystical sense of the Divine. While her spiritual convictions evolved, she did not return to the Anglican church until 1953. This complex relationship with religion is reflected in her works, where themes of Christianity often intertwined with skepticism and satire. Her novels, including "Potterism" (1920) and "Keeping Up Appearances," demonstrated her ability to dissect societal norms, often with a satirical edge.Her personal life was marked by a clandestine affair with Gerald O'Donovan, a lapsed Irish priest and fellow novelist. This intricate relationship spanned over two decades and remained a secret from many, even her closest friends. Macaulay's own ambivalence toward her sexuality added another layer of complexity to her identity, influencing her writing and the themes she explored.Macaulay's relationships within literary circles were equally captivating. She fostered connections with prominent writers such as Rupert Brooke and Elizabeth Bowen, often leaving her imprint on their narratives. Her role as a patron and supporter of emerging talents showcased her nurturing spirit, even as her own literary prowess continued to grow.Her impact extended to journalism, where she contributed to magazines like Time & Tide and the Spectator. Her engagement with contemporary issues, including her support for the League of Nations, underscored her commitment to global harmony.Macaulay's work often grappled with the tension between individual freedom and societal responsibilities. Her novel "The World My Wilderness" (1950) exemplified this theme, as it navigated war-torn landscapes and internal struggles. The contrast between private introspection and public involvement became a defining motif in her literary explorations.Dame Emilie Rose Macaulay's legacy is a testament to the interplay of faith, identity, and relationships in shaping artistic expression. Her intricate journey through religious and philosophical landscapes, her intricate relationships with other literary figures, and her prolific body of work continue to captivate readers and scholars alike. As a figure who wove threads of complexity into the fabric of literature, she s New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

White Whitewash by Rose McCawley. The sea, as it swung gently against the rocks, was Jade Green,

0:26.1

like the evening sky. I was reclining on timely turf, reading the story of Saint-Michel. Six feet

0:34.2

down in the sea, my aunt was scrambling among broken marble wreckage that had once been an imperial bath.

0:41.3

When she surfaced, I looked up from Dr. Axelmunter and said,

0:46.0

It's nice to know what an excellent man Tiberius actually was, after all one was brought up to think of him.

0:53.2

My aunt coughed up water and turned on her back to float.

0:57.3

I know nothing of the sort, she said. I would rather believe his contemporaries than these modern

1:02.7

whitewashers, and I have the islanders with me to a man, woman and child. Naturally, I agreed,

1:09.7

Timberio is a local industry. If he lost his wickedness,

1:14.0

he would have nothing but a few ruined villas and baths and a rock up there by the faro,

1:19.2

from which no one was ever thrown. What use would visitors have for a beneficent old gentleman

1:24.8

who retired here to flee the corrupt world in commune with his soul.

1:29.7

Swetonius and Tacitus, and all the legend-makers since, are the local Bible.

1:35.3

But they're wrong. Timberio has been cleared, and I am delighted that all these villas and

1:41.1

baths were used by so saintly an emperor.

1:44.5

One after another, said my aunt, they take them from us.

1:48.0

Nero, Tiberius, the Borgias, King John, Richard III,

1:52.7

are we to be deprived of all the monsters of the past?

1:56.7

Are they all to be of the present?

1:58.8

How long will it be before our contemporary monsters have

2:02.1

the whitewash buckets poured over them, and emerge saints or victims of circumstance,

2:08.6

more sinned against than sinning? Most of us are more sinning than sinned against. Why should

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