I'm Peter Martin.

And I'm Adam Manus.

And this is the You'll Hear at podcast.

Daily Jazz Advice coming at you.

And today we are going to answer user question, a user. Why am I always calling them? I don't know, man. They're not using anything. They're just listening to us talk. I feel like I'm being used a lot lately. That's what it is. A listener question. That's right. This is Zoom from Vancouver. and we've actually had other voice questions from Vancouver, which is interesting.

We have a bit of a Western Canada following it. Zoom from Vancouver. And we've actually had other voice questions from Vancouver, which is interesting.

We have a bit of a Western Canada following, I feel like.

This is like a voice pipeline between Vancouver to St. Louis. It's very exciting. So let's listen to Zoom.

Hi, this is Zoom from Vancouver, Canada. My question is about how to handle a situation when you have different versions of the same tune,

like if someone calls a standard at a jam session or on a gig,

and maybe different musicians learn different versions of it.

Maybe they learned it from different recordings, or they're using different chord charts.

How do you reconcile or how do you figure out which version of the core changes to use?

Do you talk about it in advance?

Do you just listen to each other?

I know you guys always preach about listening, which I'm sure is going to be part of the answer.

But I'm just wondering if there's any other specifics that would be helpful for us in those

situations. Thanks a lot. All right. Thank you, Zoom. That's a great question. And, you know,

this happens frequently. It happens on jam sessions. It happens on gigs. Happens in rehearsals. And I think

it's one that can be addressed of how to handle, I think, especially if people have different

changes or different

forms for the same tune. Some tactics to maybe try to fix it in real time, and then maybe some tactics

...