When Writing is Both Therapeutic and Profitable

The Shit No One Tells You About Writing

Bianca Marais, Carly Watters and CeCe Lyra

How To, Books, Education, Fiction, Arts

4.8 • 733 Ratings

🗓️ 10 February 2022

⏱️ 76 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

In today's Books with Hooks, Carly and CeCe are joined by Kathy and Leila who have submitted their queries for critique. During the segment, they discuss why it’s important to frame a memoir as ‘why does this book have to be out there for others?’; why it’s okay to not have your hook fully fleshed out in a memoir query because agents are there to help you finish the job; how, in non-fiction, the hook is what you’re delivering to the reader and so it’s something you dig to find, unlike in fiction; how your story can start in multiple places, depending on taste; how starting in story is always the best place to start, even in memoir; using first person to help yourself write third person close; watching out for characters that are too generic/cookie-cutter/cliche; and how to make readers connect with characters in dark stories by making them very human.

After which, Bianca chats with Ashley Audrain, author of The Push, and bookstagrammer, Femi Omotade, about inserting non-typical themes into a thriller; writing about things that could be triggering for an author; writing being a cathartic experience—not therapy, but therapeutic; and the process of having a book get optioned for film or TV.

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Ashley Audrain can be found at www.ashelyaudrain.com and on Instagram at @ashleyaudrain and Twitter at @audrain
Femi Omotade can be found on Instagram at @thebookalert

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Transcript

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0:00.0	It's a new year and time to get fresh eyes on your work in progress.
0:04.8	Are you looking for beta readers, some of whom might potentially become writing group members
0:09.2	down the line?
0:10.2	Are you wanting to be matched up with those writing in a similar genre and or time
0:15.0	zone so they can critique your work as you critique theirs at the same time?
0:19.5	Your manuscript doesn't have to be complete to sign up
0:22.1	for this 3,000 word evaluation. This matchup will be open to registrations from now until the
0:28.5	2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day.
0:35.4	For more information and to register, go to Bianca Moray.com and go to
0:39.7	the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this
0:45.7	time. The more writers we have signed up, the better the matches will be. Hello from CC.
0:52.6	I'm so excited to announce an all new class called Starting It
0:56.4	Right, which is all about how to begin your story in the best place and in the best way. Now,
1:01.6	this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different
1:06.9	types of beginnings and how to choose the best one for your story, how to frame your
1:11.6	inciting incident in a compelling way, common mistakes writers make when starting a story,
1:17.3	how to balance exposition and mystery, how to make readers connect with your protagonist, and how
1:23.6	to make the reader want to turn to the next chapter and so much more.
1:28.3	And guess what?
1:29.3	For the first time ever, there will be an interactive component to my class.
1:34.3	Everyone who is registered will have the option of sending in the opening scene of their work
1:40.3	for a chance to be critiqued during the webinar.
	...

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