When We All Get to Heaven | Setting the Table
Slow Burn
Slate Audio
4.6 • 25.2K Ratings
🗓️ 15 October 2025
⏱️ 25 minutes
🧾️ Download transcript
Summary
In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they’ve lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church’s services during the height of the epidemic. Whether you’re a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.
For images and links about this episode visit https://www.heavenpodcast.org/episode-1.
About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.
When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits.
This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).
Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.
The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.
Thanks to
Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid.
The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.
Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.
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Transcript
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| 0:00.0 | Hey, it's Christina Cotterucci, host of Season 9 of Slow Burn, Gaze Against Briggs. |
| 0:05.5 | We have a special treat for you. |
| 0:07.5 | It's the first episode of a new narrative history series from Slate, created by Eureka Street Productions. |
| 0:13.6 | It's called When We All Get to Heaven. |
| 0:15.6 | This 10-part series is about one of the first pro-gay churches, the Metropolitan Community Church of San |
| 0:21.5 | Francisco, and how it dealt with the AIDS crisis in the 1980s and 90s. Hundreds of its members |
| 0:26.6 | died, and hundreds more were searching for meaning and solace in a time of unimaginable fear. |
| 0:32.7 | It's one of the best things I've listened to this year, full of music and warmth and fascinating stories, |
| 0:38.5 | kind of like a good church service. We hope you like the first episode, and to listen to the rest, |
| 0:43.2 | head over to Outward, Slate's LGBTQ podcast. We'll be dropping new episodes there every week |
| 0:48.5 | for the rest of the year. Enjoy. Have you had the experience of not even being able to remember the names of people who were once dear to you? |
| 1:05.0 | This week I was driving in my truck and I popped in a Madonna tape. And when I did, I had a remembrance of a person who was very dear to me |
| 1:14.6 | with whom I saw truth or dare three times in one week. |
| 1:18.6 | But I could hardly remember him anymore |
| 1:22.6 | because there have been so many people that we've lost, that I've lost. |
| 1:27.8 | I really, for a moment, almost couldn't remember his name. |
| 1:31.9 | And he really was very dear to me. |
| 1:34.3 | And I wanted to cry out, I remember you. |
| 1:41.3 | It's 1993. |
| 1:43.3 | The guy speaking is Jim Matalski. |
| 1:46.9 | He's a minister. |
| 1:48.6 | And at 35, he's already officiated at more funerals than many pastors will ever do in their |
... |
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