This is Hidden Killers Week in review.

I look back at the most prolific stories of the week.

This is Hidden Killers with Tony Brewski.

Here now, Tony Bruske.

The horror of him, I would say he has a foxy appeal to him.

And I think it may hit people different depending on where you are in the country or

where you grew up in the country. Bob grew up, you know, there in that area. I grew up in that

general area too. People did kind of talk like that. I feel like I feel like I knew many of people

that on the surface, you know, were kind of gasey-like.

A lot of use car dealers.

But, but, you know, there was that level of, you know,

you didn't quite know what was going on with some people behind the curtain. And, you know, gasey, obviously, it was far more extreme than anyone could have imagined.

I wonder, at the end of the day, and I'll ask you this, Michael, do you think John knew exactly who he was?

Or was he just such a chameleon?

He's always just changing skins because he was so uncomfortable in his own that he didn't know who he was.

We see it in the Michael, in the Brian Brian Coburger case where he seemed to be always

taking different snippets of different horrible characters from the past, I mean, including

even fictional ones like Norman Bates and, uh, the American psycho character, um, to, to make up who he is when we look at, at who, who he

became with the horrible Idaho murders. There are seemingly remnants of that here with,

with Gacy of, of the constant chameleon, constantly, I'm going to play the room to whoever the

crowd is, the best I can for whatever my

narcissistic needs are. Again, long question, but do you think John knew who he was?

...