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KQED's Forum

When Everyone’s a Critic, Who Should You Trust?

KQED's Forum

KQED

Politics, News, News Commentary

4.6656 Ratings

🗓️ 27 October 2025

⏱️ 54 minutes

🧾️ Download transcript

Summary

Have you watched a movie review on YouTube or an album takedown on TikTok? Cultural criticism is available for free everywhere which might explain why publications like the New York Times and Vanity Fair are trimming their staffs of professional reviewers. We talk to pop culture critic Angelica Jade Bastién and music critic Kelefa Sanneh about why traditional criticism should endure, even when everyone has a platform. Where do you turn for reliable reviews? Guests: Kelefa Sanneh, staff writer, The New Yorker Angelica Jade Bastién, critic covering film and pop culture, New York Magazine's Vulture Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:30.8

From KQED.

0:34.6

Welcome to Forum. I'm Leslie McClurg. I'm in this morning for Mina Kim. There's a part of the

0:40.1

newsroom that it may be shrinking faster than any other part that is the Arts Desk. This summer,

0:45.8

the Associated Press scrapped its weekly book reviews. The Chicago Tribune lost its film critic and a buyout.

0:52.7

Same at the Washington Post. The New York Times

0:55.4

reassigned several critics off their beats and Vanity Fair parted ways with its chief critic.

1:01.9

So what happens when fewer professionals are keeping tabs on culture? And what is filling the

1:07.2

void? I'm joined by Angelica Jade Bastastian. She's senior writer for Vulture.

1:12.7

And Kalefa Senei is staff writer for The New Yorker. His recent piece is titled

1:17.3

How Music Criticism Lost Its Edge.

1:20.6

Kalefa, there are some major media outlets that say the reason that they are pulling back

1:25.1

is because reviews just aren't getting enough clicks.

1:28.3

Why do you think that is?

1:30.3

Well, one thing that's happened is that the model really inverted.

1:33.3

Like, in the old days, you got a newspaper thrown through your front door every day,

1:37.3

and you could read for no extra cost about the latest albums,

1:41.3

and then decide whether or not you wanted to spend your money to buy the latest albums.

1:45.0

In other words, the criticism was nearly free, and it cost money to listen to music.

...

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