Let's get a couple more, I think we got.

Oh, look, Antonio Collar Showbeams on the...

Oh, no, that's Molly Evans saying Antonio's Collar Show Jobbe. Oh, Amy's got a great question, actually. All right. Can you guys do a podcast giving a few case studies, specific playing levels, along with how that person would best plan a week's practice? Say, using the Open Studio Practice Journal, the Poojo, as we like to call it. Poojo.

Like, beginning.

Poojo.

Intermediate.

Yeah, yeah, yeah.

So if you want specific examples of what you should practice, you know, it's kind of the same across all levels, I would say, right?

You want to hit some technique practice of your instrument, whatever that instrument is.

You want to hit some kind of theory practice, right?

Scales.

You want to hit some rhythm practice, right?

And when I say theory in scales, I mean like,

I think the strict classical sense, right?

No, but you want to be able to like, you know, we talk about this all the time in the day they got a practice session, Amy, like you're mapping out your regions, like what notes sound good over what chords. And that could mean, that could, whatever that means to you, you know, but and then doing that in all keys. Like that is a lifetime worth of work for beginner intermediate in advance. And it takes maintenance.

And then you want to work on some performance.

Yeah.

Playing a tune, arranging the tune, putting everything together, you know,

ending your practice session with that.

If you structure your practice in that sort of three zone way,

I think that's a great way no matter what skill level you are, right?

So to think of technique, theory, or what notes sound good, improvisation, whatever you want to say, rhythm and the performance.

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