Welcome to the New York Times

podcast, you're nothing meaningful was ever achieved in 45 minutes at the

chatto Marmont of music news and criticism.

I'm your host John Caramonica.

Going to the drill boomer and want some more.

Going to the drill up but the ap, yeah, flying on the water like a jiskey.

Yeah, I'm trying to fuck you on your best tea.

Jopin with this also do not test me.

Yeah.

So on this week's podcast, we're going to talk about celebrity profiling access journalism and how magazines and print publications and media in general deal with the famous.

But before, just a quick, quick segue,

the fashion week was last week,

and I just wanted to note a couple things. I saw a bunch of really cool and interesting shows a lot of tension between

vulnerability and distress a lot of clothes that looked like they'd been to war.

But I wanted to talk just for a second about the music,

because there were a few shows I saw that I thought using music in really clever or intriguing ways.

First, V-files had a big event at the Barclay Center

and there were a bunch of performances.

It sprinkled in between the runway portions of the show and A track was DJing and so that's one way and that was that was a lot of fun.

I also want to talk about gauntlet Chang who played the strokes which which made me laugh.

It made me wonder if I was allowed to laugh at a fashion show,

but the strokes, that come back, I guess,

...