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The Shit No One Tells You About Writing

What Makes an Editor Fall in Love with a Book & How to Manage Your Writerly Anxiety & A Bookseller Gives You Comps

The Shit No One Tells You About Writing

Bianca Marais, Carly Watters and CeCe Lyra

How To, Books, Education, Fiction, Arts

4.8733 Ratings

🗓️ 9 May 2022

⏱️ 85 minutes

🧾️ Download transcript

Summary

In today's Bonus Episode, CeCe chats with Sarah Cantin, Executive Editor at St. Martin's Publishing Group and the editor of the #BookswithHooksBC pick, The Ballerinas. They discuss what made Sarah fall in love with the submission for The Ballerinas;  what “pre-empt” means in an offer/deal; instantly knowing the genre vs pondering the straddling of two genres; the ratio of submissions vs offers; what to do when a book doesn’t sell as well as you thought it would; likeable unlikeable protagonists; and Sarah's book recommendations. 

After which, Bianca chats with Susie Orman Schnall, the award-winning author of We Came Here to Shine, The Subway Girls, The Balance Project and On Grace. They discuss hiring a professional editor to put your best foot forward for querying; rejections from publishers and the importance of talking about them; understanding the hook of your novel; how to manage the anxiety of being a writer; trusting in your agent’s capabilities; and allowing yourself to feel shitty, but also remembering to measure your successes and celebrate them as you keep going.

Finally, Emilie Sommer joins us from East City Book Shop to answer your comps questions!

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Sarah can be found at @sarahgcantin on Twitter
Susie can be found at @susieormanschnall on Instagram and at www.susieschnall.com 
Emilie can be found at @emiliegsommer on Instagram and East City Book Shop can be found at @eastcitybookshop on Instagram and at @eastcitybooks on Twitter

 

Our Sponsors: * Check out Acorns: https://acorns.com/TSNOTYAW * Check out Acorns: https://acorns.com/TSNOTYAW Advertising Inquiries: https://redcircle.com/brands

Transcript

Click on a timestamp to play from that location

0:00.0

It's a new year and time to get fresh eyes on your work in progress.

0:04.8

Are you looking for beta readers, some of whom might potentially become writing group members

0:09.2

down the line?

0:10.2

Are you wanting to be matched up with those writing in a similar genre and or time

0:15.0

zone so they can critique your work as you critique theirs at the same time?

0:19.5

Your manuscript doesn't have to be complete to sign up

0:22.1

for this 3,000 word evaluation. This matchup will be open to registrations from now until the

0:28.5

2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day.

0:35.4

For more information and to register, go to Bianca Moray.com and go to

0:39.7

the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this

0:45.7

time. The more writers we have signed up, the better the matches will be. Hello from CC.

0:52.6

I'm so excited to announce an all new class called Starting It

0:56.4

Right, which is all about how to begin your story in the best place and in the best way. Now,

1:01.6

this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different

1:06.9

types of beginnings and how to choose the best one for your story, how to frame your

1:11.6

inciting incident in a compelling way, common mistakes writers make when starting a story,

1:17.3

how to balance exposition and mystery, how to make readers connect with your protagonist, and how

1:23.6

to make the reader want to turn to the next chapter and so much more.

1:28.3

And guess what?

1:29.3

For the first time ever, there will be an interactive component to my class.

1:34.3

Everyone who is registered will have the option of sending in the opening scene of their work

1:40.3

for a chance to be critiqued during the webinar.

...

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