4.8 • 767 Ratings
🗓️ 14 April 2022
⏱️ 58 minutes
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0:00.0 | Hello and welcome to the Storygrid podcast. My name is Tim Graal. I'm your host and I am a struggling |
0:06.6 | writer trying to figure out how to tell a story that works. Joining me is Sean Coyne. He's the founder and |
0:14.0 | creator of Storygrid and author of the book The Story Grid. Also, I have Leslie Watts. She's our |
0:20.2 | editor-in-chief at Story Grid Publishing, and I have |
0:23.0 | Daniel Kiyoski, who is our chief academic officer over at Story Grid Universe. This week, |
0:30.3 | we're going over the four story analysis questions. Now, this one went pretty long, so it's going to |
0:37.3 | end up being a two-parter, |
0:38.9 | but it's really important because these four questions really help you nail what's happening |
0:43.4 | in each scene of your story. So Danielle is leading the way this week, so I'm going to kick it |
0:49.5 | over to her to help us get started. Thanks, Tim. So the reason that I'm leading this week is that we're moving into the green or on the |
0:59.0 | surface band. |
1:00.3 | So as we moved through the 624, we moved from blue, where we were talking about the five-leaf |
1:06.2 | genre clover and the what-if that became the proposition of possibility into the red where we talked |
1:14.7 | about narrative device and point of view. And now we're moving into green. And so this is about how |
1:19.6 | to take the concepts that we've talked about in previous weeks and build a bridge from the ideas |
1:26.4 | that we've talked about to the actual page. |
1:29.1 | So we're going to be talking in the green level about the ways to get words on the page |
1:33.1 | and how to actually plan out the events of the scene and make sure that the execution aligns |
1:40.4 | with the intent that we formed in the other levels. |
1:43.1 | So that's what we'll be starting with today |
1:45.1 | with our four scene event synthesis questions. And we're going to move through them one by one. |
1:52.1 | They're going to build on each other. And eventually we're going to get to the scene event synthesis, |
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