You're listening to the savvy painter podcast episode number 254.

Hello savvy painters, welcome to a new episode of the savvy painter podcast.

I am so excited to be back with you and I have so much that I want to share with you.

It has been a incredibly transformational year and I think everybody has had a lot to deal with obviously over the last season that we've all

been in together and these next episodes I'm going to share some ideas and thoughts with you

that I think are going to really, really help in your studio and are really transformational.

You know, I have been working with a lot of artists privately in a one-on-one coaching and in some group programs that I run and every

time that I talk about these ideas with them, I just see this light bulb go off and I watch as they put these things into practice and they start just having this renewed sense of creativity, this feeling of belief in themselves that they haven't

maybe haven't experienced in a while or that they forgot that they had.

So I am super, super excited for these next couple episodes and frankly for the rest of this year.

We are back on track now.

Sabby Painter is going to be once a week now.

I'm coming back feeling super rejuvenated

and I have so much that I want to share with you.

So thank you so much for your patience.

And what I want to share with you in this episode is what I think is one of the most powerful concepts that for me and like I just said for people that I work with has been transformational.

Okay, so let's start by talking about the most powerful tool in your studio, your brain.

It is by far the most valuable asset you have more than time, more than money, more than all the

tubes of all the shades of COBOLT. When you look around in your studio at all the paintings, all the canvases, and you consider what results you have in your studio,

whether you've started that series you've been wanting to paint,

whether you've got the techniques down, whether you have the results that you want in your art career, most artists think that the problem is that the painting skills aren't good enough or they think the problem is that you have all of these things in the way of you creating your art or they think the problem is that there are way too many

artists and not enough galleries. You think the problem is that you don't know what

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