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You'll Hear It: Full Album Deep Dives with Jazz Musicians

What Do Pianists Want To Hear From Guitarists?

You'll Hear It: Full Album Deep Dives with Jazz Musicians

Peter Martin

Musicians React, Video Podcast, Tutorials, Album, Vocal Stems, Song Breakdown, Album Breakdown, Jazz Musicians React, Song Stems, Music, Musical Life, Reaction, Live Music, Fresh Spin Fridays, Peter Martin, Isolated Stems, Jazz, 194861, Album Analysis, Adam Maness, Kid A Harmony Analysis, Music Commentary, Jazz Tutorials, Music Theory, Jazz Lessons, Track-by-track, Album Deep Dive, Best New Jazz, Chords, Jazz Courses, Music Analysis, Music Advice, Jazz Education, Music Education

4.9770 Ratings

🗓️ 10 September 2021

⏱️ 20 minutes

🧾️ Download transcript

Summary

Peter and Adam deconstruct the myth that a pianist and guitarist will inevitably clash when they play together.

Transcript

Click on a timestamp to play from that location

0:00.0

Hey, Peter.

0:02.1

Hey, Adam.

0:02.7

It's the second episode of our brand new season, and we've already got an old school feature.

0:07.2

Yes.

0:08.0

Do you know what it is?

0:09.1

Yes, I do.

0:09.7

Should I say that now?

0:11.3

I mean, if you know what it is...

0:12.9

Speak pipe in the house.

0:30.2

... I'm Adam Anas.

0:32.4

And you're listening to the You'll Hear a podcast.

0:34.9

Music advice and inspiration coming at you.

0:36.7

Coming at you today, sponsored by Open Studio.

0:54.2

Go to Open StudioJadio.com. Yes, yes, yes. For all of your jazz lesson needs. You know, Peter, I just, I launched a new course this past week here. Yes. On Open Studio called the major scale course. You know what we study on the major scale course? What? The dominant scale. No, it's all about major scales. Yeah.

0:54.5

It's kind of the Barry Harris method of dealing with major scales, thirds, triads, approach notes, pivots. It's really, really hip. It's super exciting, super foundational, fundamental. But don't folks, do not feel like, oh, I know my major scales. I don't need this course. No, this is a whole other thing. It's another way of looking at it, another way of practicing it, another way of incorporating

0:53.6

into your plane.

0:54.3

And let me know what you think of it, another way of practicing it, another way of incorporating

1:11.8

into your playing.

1:12.6

And let me know what you think of it, because we might do one on the dominant scale. We might do one on the Dorian scale or on the melodic mitre. There's a whole, obviously, a treasure trove of scales that we can work on like this. It's really fun. walk folks through it it's so good because it gives folks a chance to practice one concept in maybe a new way. Well, it is going to be a new way for most people. But to really focus on that, but going through you, I mean, you walk through every single key. I don't think you ever say in that course like, oh, and then continue on to the next key. No, we like to hold.

1:45.3

You actually go through.

1:45.3

You actually hold the hand.

1:46.5

Yeah. So I'm like a, you're kind of gilting people into taking it through all the keys. I like it. I'm like a seventh grade boy on a camp date. I like to hold hands. I like to hold your hand as you walk through the major scale course. Right. So again, go to Open StudioJJadS.com and check that out.

...

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