Were There Any Real Winners at the Grammys?

Popcast

The New York Times

Music Interviews, Music Commentary, Music

3.6 • 1.5K Ratings

🗓️ 14 February 2017

⏱️ 57 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

It was an awards show filled with flubs, tear, apologies and protests. The New York Times pop music writers discuss Adele, Beyoncé, Chance the Rapper and more on Popcast.

Transcript

Click on a timestamp to play from that location

0:00.0	Yawater's corny with that aluminati mess.
0:04.0	Paparazzi catch my fly and my cocky fresh.
0:08.0	Welcome to the New York Times
0:09.0	Popcast, your persistent resistance of music news and criticism.
0:13.3	I'm your host John Cara Monica. You mix that Negro with that Creole make a Texas bama
0:24.0	Like my baby hand with baby hand
0:26.8	hand and from
0:28.0	Like my Negro no but Jackson pop nice strong
0:31.8	I earned all this money but they never take the country I got hot sauce in my bag swag.
0:41.0	You would think after 9 or 10 or 11 months of everybody figuring out how to get
0:47.0	information that everybody would successfully get information that just seems like a thing. It's like maybe
0:54.2	would have been a self-fulfilling prophecy. And yet here we are on Monday afternoon,
1:00.1	14 hours after the Grammys have concluded.
1:03.0	We can comfortably say that the will of the Recording Academy
1:06.0	as expressed through the pomp and ceremony of the Grammys
1:10.0	are unfamiliar with what formation might look like or feel like.
1:13.0	They have their own formation really.
1:15.0	Well, damn, damn.
1:17.0	Okay, well, Joe Koscarelli bringing that raw heat.
1:20.0	I am joined by the New York Times pop music crew. I have cheap pop music critic John Pralis.
1:25.7	Hey there.
1:26.7	Pop music reporter, Joe Coscarelli.
	...

Please login to see the full transcript.

Previous episode | Next episode

Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.