You made it weird.

You made it weird.

Oh, yeah.

You made it weird.

Yes, you did.

You made it weird.

You made it weird.

With Pete Holmes.

Wow.

What a great ending.

Oh, go ahead.

Oh, my God.

In the intro is the callback. It's a... It callback. It's a backwards. You'll get it at the end. Like when a post says watch till the end, listen till the end. Yeah. For that, for that. Now say the thing. What? Oh, what's happening weirdos? There it is. Sorry we didn't hit it right away, but you'll see.

You'll see. There's like an embedded sort of fan. I mean, I don't know. I feel like it's like,

you know, how Taylor Swift embeds codes and her songs for her fans. Oh, she does. And we have one of those, this episode. This episode.

Okay, I thought that was just something mentally unstable people thought pop stars were doing for them.

No.

Her whole album, I think it's the most recent one, has certain letters that are bigger than others, like are in caps and that spells... What is this? Paddington? And in the pop-up book, there's different letters, and I can go to those letters, and that's how I find the key to the organ. To, like, who the song's about. Yeah. Oh, really? Okay, that's fun. I went from making fun of it to immediately thinking that's really fun.

Really fun. Wow. Imagine how much effort it is to hide the word Jillen Hall.

Every single, because I stopped really following her love, her romances. Yeah. You know, after 1989, not the year of the album, I assume every song is about Jillen Hall.

And she's had like a bazillion boyfriends.

A begillian-hall?

...