4.6 • 806 Ratings
🗓️ 4 January 2019
⏱️ 37 minutes
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0:00.0 | Hello, and thanks for tuning in to another episode of The Directors' Cut, |
0:04.9 | brought to you by the Directors Guild of America, |
0:07.5 | featuring today's top directors sharing behind-the-scenes stories of the latest films |
0:11.4 | and insights into the craft of directing. |
0:14.6 | The Directors' Cut is now available on Spotify, |
0:17.4 | so please take a second to subscribe to our podcast on Spotify, iTunes, or wherever you get your podcasts. |
0:28.8 | This episode takes us behind the scenes of director Brady Corbett's new drama Vox Lux. |
0:34.8 | The film tells the story of Celeste, a young singer who had a meteoric rise to fame |
0:39.5 | after she survived a violent tragedy as a teenager and captured the nation's attention |
0:44.2 | when she sang at the memorial service. Years later, the now-superstar celebrity must deal with |
0:50.0 | the aftermath of a scandalous incident which could derail her career. |
0:54.3 | She seeks to reclaim her place in the entertainment world via an album of sci-fi anthems entitled |
0:59.4 | Vox Lux, and must find a way to come to grips with everything her life has become. |
1:05.5 | In addition to Vox Lux, Mr. Corbett's credits include the feature film The Childhood of a Leader and the short film Protect You and Me. |
1:13.6 | Following our recent screening of the film at the DGA Theatre in New York, Mr. Corbett spoke with director John Croquittus about filming Vox |
1:22.6 | During their conversation, Mr. Corbett discusses the lessons he learned while working with acclaimed directors, |
1:29.0 | such as Lars von Trier and Catherine Hardwick as an actor, |
1:32.7 | creating fiction in an era of post-truth and his shift away from realism in his directorial approach to the film. |
2:01.1 | Thank you. I thought I had seen the most definitive scene of Natalie Portman breaking down in a dressing room in my life, but I was so wrong. |
2:07.7 | I just want to first congratulate you on making a movie that there are a lot of great movies this year, and I feel like we're in a moment |
2:12.8 | when artists such as yourself are taking a mirror back to our society and trying to say something about |
2:19.7 | where we find ourselves at this really weird time that we're in. There's been a lot of great |
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