4.4 • 1.9K Ratings
🗓️ 10 August 2022
⏱️ 74 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | If you have your own story of being in a cult or a high control group or if you've had |
| 0:04.1 | experience with manipulation or abuse the power that you'd like to share, leave us a message |
| 0:08.4 | on our hotline number at 347-86 trust. That's 347-868-7878 or shoot us an e-mail at TrustMePod |
| 0:18.2 | at gmail.com. Trust me, do you trust me? Trust me, I'm like a smart person. Yeah, I've never |
| 0:25.6 | lied to you. I'll never have lied. If you think that one person has all the answers, don't! |
| 0:32.4 | Welcome, welcome, welcome to TrustMe, the podcast about cults, extreme belief and manipulation |
| 0:37.8 | from two edge lords who have actually experienced it. I am Lola Blanc, and I am Megan Elizabeth. |
| 0:43.2 | And today our guest is Virginia Heffernand. She is a journalist, author, columnist at Wired, |
| 0:47.5 | and former member of an intellectual organization called Edge. She's going to tell us about meeting |
| 0:52.5 | book agent Kingmaker and Edge founder John Rockman and how she got involved with his curated |
| 0:57.6 | collection of prominent academics, tech billionaires and artists, many of whom you would recognize, |
| 1:03.1 | including Elon Musk, Richard Dawkins, and Jeffrey Epstein. We'll talk about Edge's promise to create |
| 1:08.8 | a third culture, the so-called billionaires dinners, the group's close financial ties to Epstein, |
| 1:14.7 | and the overlap with the dubious academia of the intellectual dark web. I realized, after this |
| 1:21.3 | interview, that some conspiracy theories I had heard before about Marina Abramavik |
| 1:26.4 | are rooted in Edge, and that this is like the origin of conspiracy theories that I knew about, |
| 1:32.4 | but I didn't know where they were coming from. She's an incredible artist. She's known for |
| 1:37.7 | performance arts, you know, where she'll like sit in a room and let people do whatever they want |
| 1:42.3 | to her for 48 hours or whatever, and she's done all of these performance pieces that are very |
| 1:48.7 | provocative. She used pig's blood to write phrases on walls of museum. She invited people to a |
| 1:56.2 | dinner party, I guess, that like for some reason people thought a performance thing was cannibalism, |
| 2:02.0 | but it was like, thought it was Satanism and cannibalism. I don't know, but it was, it was not. |
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