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Oprah's Super Soul

Viola Davis

Oprah's Super Soul

Oprah

Society & Culture

4.632.9K Ratings

🗓️ 19 April 2021

⏱️ 35 minutes

🧾️ Download transcript

Summary

Oprah talks with Viola Davis, the most nominated Black actress in Oscar history, about her new film Ma Rainey’s Black Bottom. In yet another superb performance, Davis inhabits “the Mother of the Blues” in an adaptation of the August Wilson play. Davis reveals what Ma's struggle says about today's America and what it taught her about harnessing her own powers as a Black woman. She also shares her thoughts on working with the late Chadwick Boseman on his final film.

Transcript

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0:00.0

I'm Oprah Winfrey. Welcome to Super Soul Conversations, the podcast. I believe that one of the

0:07.5

most valuable gifts you can give yourself is time, taking time to be more fully present.

0:16.0

Your journey to become more inspired and connected to the deeper world around us starts right

0:23.0

now.

0:24.0

Hi, Viola. Hi, Oprah. So good to see you. So good to see you too. Just let me offer my deepest

0:33.5

congratulations on your Golden Globe and your SAG Award nominations for Ma Rainey's Black

0:39.2

Bottle. Thank you. Thank you very much.

0:43.4

The incomparable Viola Davis has done it again. With another jaw-dropping performance, a nearly

0:51.6

unrecognizable Viola transforms herself into Ma Rainey, the real-life mother of the blues,

0:58.6

and Ma Rainey's black bottom streaming now on Netflix.

1:04.6

The film, based on the play by poet-deprize-winning playwright August Wilson, covers a single recording

1:10.2

session on a sweltering hot day in Chicago in 1927. But at the heart of the story is so much

1:17.4

more racial injustice, the transformative power of the blues, and what it means to fight

1:23.2

every single day for dignity.

1:26.4

Viola brings the full force of her talent to this role, and the late Chadwick Boseman

1:31.4

is electrifying in his final screen performance. He plays Levy, a trumpet virtuoso coping

1:38.8

with deep-seated trauma.

1:44.8

You have so many awards already, so when you do a role like this and the awards start to

1:51.1

reveal themselves, what does it feel like for you? Is it a great affirmation? You know

1:57.8

what Oprah, it's a combination of a great affirmation, but also a fear of what the imposter

2:06.6

syndrome follows, everyone. I don't care. I mean, I feel like it's sort of a false narrative

2:13.3

if I said that, you know, every time I get an award, I just walk off the stage and I feel

...

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