VAM 138 | Interview with Keythe Farley, Part 2
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Crispin Freeman | Voice Actor
4.9 • 555 Ratings
🗓️ 20 June 2018
⏱️ 49 minutes
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| 0:00.0 | You're listening to Voice Acting Mastery, episode number 138. |
| 0:05.7 | Welcome to the Voice Acting Mastery podcast with Crispin Freeman. |
| 0:10.2 | Voiceactingmastery.com is your place to learn both the skills and the mindset you need to |
| 0:15.1 | become a professional voice actor, even if you're just getting started. |
| 0:19.5 | In each episode of this podcast, you'll discover valuable tips, tricks and insider information |
| 0:24.7 | to help you portray characters in animation, video games and beyond. |
| 0:29.5 | And now here's your host, voice actor Crispin Freeman. |
| 0:37.2 | Hi there, my name is Crispin Freeman, and I'll be your guide through the world of voice acting. |
| 0:43.3 | If you'd like to know more about me, feel free to check out my personal website at www.crispinfreeman.com. |
| 0:51.0 | Welcome to the second part of my interview with the amazingly talented and astoundingly accomplished, Keith Farley. |
| 0:58.4 | He's acted on stage, on screen, and in front of the microphone. |
| 1:02.9 | You may be familiar with his voice acting work as Thane Creos in the Mass Effect series of games, |
| 1:08.9 | the villainous Kellogg in Fallout 4, as well as Erupter |
| 1:12.7 | in the Skylander series of games. He's also voiced directed such influential shows as the Rugrats |
| 1:19.2 | for the animation studio Claskey Chupo. In addition, he's voiced directed such high-profile game |
| 1:25.0 | franchises as God of War, Call of Duty Black |
| 1:28.4 | Ops 3, and Final Fantasy 15. In the previous episode, Keith and I focused on the early |
| 1:35.7 | part of his career and how he broke into both voice acting and voice directing. In this episode, |
| 1:42.3 | we delve into what motivated Keith to become a performer in the first place. |
| 1:47.0 | We discuss Keith's obsession with storytelling and how serving the story is his first priority, |
| 1:53.0 | regardless of his position on a project, whether he is acting as a character, directing other |
| 1:58.5 | actors, or even writing the dialogue. We also talk about how he |
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