VAM 126 | Speech Problems that Might Be Holding You Back
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Crispin Freeman | Voice Actor
4.9 • 555 Ratings
🗓️ 21 June 2017
⏱️ 21 minutes
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| 0:00.0 | You're listening to Voice Acting Mastery, episode number 126. |
| 0:05.7 | Welcome to the Voice Acting Mastery podcast with Crispin Freeman. |
| 0:10.2 | Voiceactingmastery.com is your place to learn both the skills and the mindset you need to become a professional voice actor, even if you're just getting started. |
| 0:19.4 | In each episode of this podcast, you'll discover valuable tips, tricks and insider information |
| 0:24.7 | to help you portray characters in animation, video games and beyond. |
| 0:29.5 | And now here's your host, voice actor Crispin Freeman. |
| 0:37.3 | Hi there, my name is Crispin Freeman, and I'll be your guide through the world of voice acting. |
| 0:43.4 | If you'd like to know more about me, feel free to check out my personal website at www.com. |
| 0:51.1 | In this episode, I'd like to spend some time discussing how important it is to be aware of what |
| 0:56.2 | you sound like when you're speaking. I have watched too many of my voice acting students struggle |
| 1:01.5 | because they are unaware of what their own voice actually sounds like. Unbeknownst to many, |
| 1:07.3 | what you hear inside your head when you're speaking is not what others hear. If you haven't |
| 1:12.2 | taken the time to get to know how you actually sound to the rest of the world, you're missing out |
| 1:16.9 | on crucial information that can make or break your voice acting career. Not only do you need to be |
| 1:22.7 | aware of the tone or timbre of your voice, but you also need to become intimately familiar with your |
| 1:28.2 | habitual manner of speaking and how you articulate words. |
| 1:32.2 | Like a musician playing an instrument, it's vital that you understand exactly what kind |
| 1:37.1 | of sounds you are producing and how they are perceived by others. |
| 1:41.2 | Without such self-awareness, you will not know how to modify your delivery for different |
| 1:46.0 | characters you're asked to play, or how to make precise vocal adjustments in order to communicate |
| 1:51.6 | effectively to your audience. For some actors, their habitual manner of speech might be fine |
| 1:57.9 | for portraying certain characters. These actors may have a sound that |
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