VAM 118 | Interview with America Young, Part 2
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Crispin Freeman | Voice Actor
4.9 • 555 Ratings
🗓️ 19 October 2016
⏱️ 39 minutes
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| 0:00.0 | You're listening to Voice Acting Mastery, episode number 118. |
| 0:05.6 | Welcome to the Voice Acting Mastery podcast with Crispin Freeman. |
| 0:10.1 | Voiceactingmastery.com is your place to learn both the skills and the mindset you need to become a professional voice actor, even if you're just getting started. |
| 0:19.3 | In each episode of this podcast, you'll discover valuable tips, |
| 0:22.6 | tricks and insider information to help you portray characters in animation, |
| 0:26.6 | video games and beyond. |
| 0:28.6 | And now here's your host, voice actor Crispin Freeman. |
| 0:36.6 | Hi there, my name is Crispin Freeman, and I'll be your guide through the world of voice acting. |
| 0:43.4 | If you'd like to know more about me, feel free to check out my personal website at www.crispinfreeman.com. |
| 0:50.9 | Welcome to the second part of my interview with the multi-talented America Young. |
| 0:56.3 | America has had experience in almost every aspect of performing. |
| 1:00.7 | She's worked on camera, as a voice actor, as a stunt performer, and most importantly for our |
| 1:06.3 | conversation, as a motion capture actress in video games. |
| 1:10.5 | I was eager to talk to America so she could share her insight with us |
| 1:14.3 | about what it takes to succeed in the developing world of motion capture. |
| 1:19.2 | We begin our discussion in this episode by defining what motion capture is |
| 1:24.0 | and how it differs from performance capture. |
| 1:27.2 | We then explore how America's background |
| 1:29.2 | in acting and stunt work helped her when she had the opportunity to audition to be a motion |
| 1:34.1 | capture actress for a Spider-Man game. After that, we go into detail about some of the most |
| 1:40.1 | common practices in motion capture and what you can expect when you find yourself on a motion |
| 1:45.2 | capture stage. |
... |
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